Behringer Eurodesk SX4882 用户手册

EURODESK SX4882

Live concert with 24-track recording

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Stereo (quadraphonic) P.A. with sidefills, three infills, two wedge 

mixes, four FX and simultaneous 24-track recording.

1

Kick

Direct out

Track 1

2

Snare

Direct out

Track 2

3

Hi Hat

Direct out

Track 3

4

Tom 1

Subgroups 5 

and 6

Tracks 5 and 6

5

Tom 2

Subgroups 5 

and 6

Tracks 5 and 6

6

Tom 3

Subgroups 5 

and 6

Tracks 5 and 6

7

Tom 4

Subgroups 5 

and 6

Tracks 5 and 6

8

Cymbals 

(overheads)

Direct out

Track 4

9

Keyboards L

Direct out

Track 7

10

Keyboards R

Direct out

Track 8

11

Bass DI

Direct out

Track 9

12

Trumpet

Direct out

Track 10

13

Trombone

Direct out

Track 11

14

Sax

Direct out

Track 12

15

BVs 1

Direct out

Track 13

16

BVs 2

Direct out

Track 14

17

BVs 3

Direct out

Track 15

18

Conga L

Direct out

Track 16

19

Conga R

Direct out

Track 17

20

Guitar 1 

microphone

Direct out

Track 18

21

Guitar 2 

microphone

Direct out

Track 19

22

Lead vocal

Direct out

Track 20

23

Main echo / 

reverb return

(Send = aux 3)

Track 21

24

Main echo / 

reverb return

(Send = aux 3)

Track 22

None of the tape tracks can be auditioned in this configuration. 

The channel fader controls the level to tape, MIX-B adjusts the 

P.A. level.
The channel inserts (which are pre fader), may be used as virtual 

direct outs. Hopefully you will be able to set the input gains (P2) 

to suit the multitrack on any channel that does not have a massive 

EQ (i.e. energy) swing away from 0 dB. The consequent lack of 

any desk EQ on your tape tracks might even be an advantage 

when it comes to remixing the concert back in the studio.
Using this setup, you can even change the P.A. to a quadrophonic 

system. Positioning takes place by balancing the main mix (chan-

nel fader, PANpot P24) against MIX-B (P20, P21).

1

Kick

MIX-B

-

-

Subgroups 1/2, 

3/4 and 7/8

2

Snare

MIX-B Aux send 

4

Aux send 

1 and 2

Subgroups 1/2 

and 3/4

3

Hi Hat

MIX-B

-

-

Subgroups 1/2 

and 3/4

4

Tom 1

MIX-B Aux send 

4

-

-

5

Tom 2

MIX-B Aux send 

4

-

-

6

Tom 3

MIX-B Aux send 

4

-

-

7

Tom 4

MIX-B Aux send 

4

-

-

8

Cymbals 

(over-

heads)

MIX-B

-

-

-

9

Key-

boards L MIX-B

-

-

Subgroup 12

10

Key-

boards R MIX-B

-

-

Subgroup 12

11

Bass DI

MIX-B

-

-

Subgroups 1/2, 

3/4 and 7/8

12

Trumpet MIX-B Aux send 

5

-

-

13

Trom-

bone

MIX-B Aux send 

5

-

-

14

Sax

MIX-B Aux send 

5

-

-

15

BVs 1

MIX-B Aux send 

5 and 6

Aux send 

1 and 2

-

16

BVs 2

MIX-B Aux send 

5 and 6

Aux send 

1 and 2

-

17

BVs 3

MIX-B Aux send 

5 and 6

Aux send 

1 and 2

-

18

Conga L MIX-B

-

-

Subgroups 1/2, 

3/4 and 7/8

19

Conga R MIX-B

-

-

Subgroups 1/2, 

3/4 and 7/8

20

Guitar 1 

micro-

phone

MIX-B

-

-

Subgroups 3 

and 4

21

Guitar 2 

micro-

phone

MIX-B

-

-

Subgroups 3 

and 4

22

Lead 

vocal

MIX-B Aux send 

5 and 6

Aux send 

1

-

23

FX 1 L

MIX-B

-

Aux send 

1

-

24

FX 1 R

MIX-B

-

Aux send 

1

-

For front of house route all channels to the MIX-B bus > main 

mix. For live P.A. effects use auxes 3/4/5/6. For wedge monitors 

use aux 1 and 2 in pre mode > aux 1and 2 output. For sidefills 

use phones 1 output. For infill for guitarist, keyboard player and 

drummer use subgroups 1/2, 3/4 and 7/8.

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