Carvin cm87s 用户手册
STUDIO SET UP
2
1
2
1
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
HI
MID
LOW
+
0
-
-
-
-
+
3-5
4-6
1
2
PRE
POST
LO
CUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LO
CUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
XLR Mic Cable
XLR
Mic
Input
TRS
Insert
XLR Cable
Insert Out
Insert In
0
-
30
+
6
THRESHOLD
RATIO
20
10
230
120
50
100
10
200
ATTACK
20
10
230
120
50
GATE
100
10
200
RELEASE
TH
3
6
BYPASS
INPUT
CLIP
OUTPUT
CLIP
CHANNEL 1
9
12
15
0
5
10
OUTPUT
GATE
0
-
30
+
6
THRESHOLD
RATIO
20
10
230
120
50
100
10
200
ATTACK
20
10
230
120
50
GATE
100
10
200
RELEASE
TH
3
6
BYPASS
INPUT
CLIP
OUTPUT
CLIP
CHANNEL 2
9
12
15
0
5
10
OUTPUT
GATE
PWR
ON
OFF
CGL200
Compressor
The illustration below shows the standard set up in a recording
studio. The shockmount should be set on a round or tripod base
mic stand. The CM-87S should always set in the shockmount to
eliminate any noise or vibrations from the floor or walls. The phan-
tom power supply should be connected to a 120 V AC outlet. Be
sure the power supply is properly grounded and never defeat the
ground on the AC plug. The XLR mic cables should be connected
to the MIC IN on the power supply and then connected to the CM-
87S mic. High quality XLR cables (like the one provided) should
always be used. The OUTPUT jack on the power supply will pass
the mic’s signal to the MIC input on a mixer. Always disable any
phantom power that may be present on the mixer as you will be
using an external source for phantom power.
mic stand. The CM-87S should always set in the shockmount to
eliminate any noise or vibrations from the floor or walls. The phan-
tom power supply should be connected to a 120 V AC outlet. Be
sure the power supply is properly grounded and never defeat the
ground on the AC plug. The XLR mic cables should be connected
to the MIC IN on the power supply and then connected to the CM-
87S mic. High quality XLR cables (like the one provided) should
always be used. The OUTPUT jack on the power supply will pass
the mic’s signal to the MIC input on a mixer. Always disable any
phantom power that may be present on the mixer as you will be
using an external source for phantom power.
Many professionals use a compressor/limiter when recording. They
are ideal for eliminating transient signals. Transients are those quick
changes in volume that can cause a performance to sound too loud
in some areas. A compressor/limiter will keep the signal at a con-
stant volume while limiting any peak signals. The result is a “hot”
and constant signal that is ideal for both vocal performances and
recording. The illustration below shows a typical set-up for insert-
ing a compressor/limiter.
changes in volume that can cause a performance to sound too loud
in some areas. A compressor/limiter will keep the signal at a con-
stant volume while limiting any peak signals. The result is a “hot”
and constant signal that is ideal for both vocal performances and
recording. The illustration below shows a typical set-up for insert-
ing a compressor/limiter.
With today’s high quality digital audio hardware, recording at home
has never been so widespread and affordable! When recording to
a digital or analog format of any kind, be sure to adjust your mixer
or input source to produce the strongest signal without clipping or
distorting. This will give you the best sounding recording.
a digital or analog format of any kind, be sure to adjust your mixer
or input source to produce the strongest signal without clipping or
distorting. This will give you the best sounding recording.