Yamaha Pro Yamaha DGX-660B 业主指南

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页码 155
Style (Auto Accompaniment) Functions
DGX-660  Owner’s Manual
64
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Setting the Split Point
The point on the keyboard that separates the left-hand 
range and the right-hand range of the keyboard is 
called the “Split Point.”
When a Style is selected and ACMP is on, the notes 
played to the left of the Split Point are used to specify 
the chord for Style playback. When the Split function 
is on, the notes played to the left of the Split Point are 
used to play the Split Voice. 
The initial default Split Point is key number 54 (the 
F
#2 key), but you can change it to another key.
1
Press the [FUNCTION] button. 
2
Use the CATEGORY [
r] and [f] but-
tons to call up “Split Point.”
3
Rotate the dial to set the Split Point 
between 021 (A-1) and 108 (C7).
To restore the value to the default setting, press 
[+]/[-] buttons simultaneously.
Setting the Chord Fingering
There are three different Fingering Types which let 
you specify the chord type for Style playback or use 
the entire keyboard range for chord specifying.
1
Press the [STYLE] button.
2
Holding down the [ACMP ON/OFF] but-
ton for longer than a second to call up 
the “Chord Fingering” display.
3
Use the dial to select the desired setting.
• The Split Point set here is applied to both the Style and 
Voice. 
• During the Lesson playback, the Split Point cannot be 
changed.
Split Point
Split point (54: F
#2)
Split voice
Main voice
NOTE
1 (Multi Finger)
Recognizes the various chord types 
which are listed on the separate Data 
List, including “Easy Chords” (this 
book, page 34).
 2 (FullKeyboard)
Detects chords in the entire key 
range. Chords are detected in a way 
similar to 1 (Multi Finger), even if you 
split the notes between your left and 
right hands — for example, playing a 
bass note with your left hand and a 
chord with your right, or by playing a 
chord with your left hand and a mel-
ody note with your right. In this mode, 
Easy Chords cannot be detected.
 3 (AI Fingered)
Less than three notes can be played 
to indicate the chords (based on the 
previously played chord, etc.).
Hold for longer 
than a second.