Audix Fusion F5 AUDIX F5 产品宣传页
产品代码
AUDIX F5
SPECIFICATIONS:
ARCHITECTS AND ENGINEERS SPECIFICATIONS:
The microphone shall be of the dynamic type operating on the moving coil principle and the polar
pattern of the microphone shall be hypercardioid. The capsule shall be LM
pattern of the microphone shall be hypercardioid. The capsule shall be LM
TM
Type A. The nominal
output impedance shall be equal to 580 ohms at 1 kHz. The microphone shall have a sensitivity of
2.2 mV / Pa at 1 kHz and a sound pressure level ≥137 dB. The microphone body and grill shall
be of die cast zinc alloy. The overall dimensions shall be 23 mm in diameter at the base, 41 mm
at the top, and 145 mm in length. The microphone shall be the Audix f5.
2.2 mV / Pa at 1 kHz and a sound pressure level ≥137 dB. The microphone body and grill shall
be of die cast zinc alloy. The overall dimensions shall be 23 mm in diameter at the base, 41 mm
at the top, and 145 mm in length. The microphone shall be the Audix f5.
Transducer Type
Dynamic
Frequency Response 55 Hz - 15 kHz
Polar Pattern
Hypercardioid
Output Impedance 580 ohms
Sensitivity 2.2 mV / Pa @ 1k
Capsule Technology
LM Type A
Off Axis Rejection > 20 dB
Maximum SPL ≥ 137 dB
Power Requirements None
Connector
3 pin gold plated male
XLR connector
Polarity Positive voltage on pin
2 relative to pin 3 of
output XLR connector
Housing / Finish Cast zinc alloy /
Black coat
Weight 283 g / 10 ounces
Length 145 mm / 5.7 inches
OPERATION:
The f5 is a low impedance microphone and should be plugged into a “mic level” input on your
console, mixer or recording device. Please note that your microphone does not require phantom
power and will not be effected in any way by phantom power should it be running simultaneously
when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA
system unless the channel is muted or the volume of the system turned down. Failure to do so
may result in a loud “popping” noise which could seriously damage the speakers in the PA system.
console, mixer or recording device. Please note that your microphone does not require phantom
power and will not be effected in any way by phantom power should it be running simultaneously
when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA
system unless the channel is muted or the volume of the system turned down. Failure to do so
may result in a loud “popping” noise which could seriously damage the speakers in the PA system.
FREQUENCY / POLARS:
USER TIPS:
The f5 has a tight (hypercardioid) pick-up pattern in order to help eliminate sound from other
instruments on stage from “bleeding” into the microphone. For this reason, the f5 is exceptionally
effective for drums and percussion in be able to capture the sound of each component of the kit.
instruments on stage from “bleeding” into the microphone. For this reason, the f5 is exceptionally
effective for drums and percussion in be able to capture the sound of each component of the kit.
Snare: Start with the f5 about 2 inches above the head and aimed towards the center of the drum.
For more “rim” effect, the f5 can be aimed less towards the center and more towards the rim. It is
not uncommon for engineers to place the mic practically right on the drum head to achieve a very
tight, cracking sensation.
For more “rim” effect, the f5 can be aimed less towards the center and more towards the rim. It is
not uncommon for engineers to place the mic practically right on the drum head to achieve a very
tight, cracking sensation.
Toms, congas: Similar to snare. For tighter sound and more attack place, the mic closer to the
head. For more decay and overtones pull the mic further away from the head.
head. For more decay and overtones pull the mic further away from the head.
Guitar cabs: The f5 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing
directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize
the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer
towards the center of the speaker, but avoid the middle of the speaker.
directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize
the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer
towards the center of the speaker, but avoid the middle of the speaker.
Horns: Place the mic within 1-3 inches of the bell, especially when on a stage with drums, bass,
guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed
further away for a richer, fuller, sound.
Allow a distance of 2-3 feet between microphones to avoid phase cancellation issues.
*Further miking techniques may be found on our website at www.audixusa.com
guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed
further away for a richer, fuller, sound.
Allow a distance of 2-3 feet between microphones to avoid phase cancellation issues.
*Further miking techniques may be found on our website at www.audixusa.com
DIMENSIONS (mm):
f5
SERVICE AND WARRANTY:
This microphone is under warranty for a period of 3 years from
any and all manufacturing defects. Should your microphone
fail in any way, please contact the Audix Service department
at 503-682-6933. A Return Authorization number is required
before returning any products
any and all manufacturing defects. Should your microphone
fail in any way, please contact the Audix Service department
at 503-682-6933. A Return Authorization number is required
before returning any products
.
CARE AND MAINTENANCE:
The f5 is manufactured to exacting specs with roadworthy construction.
However, the capsule is highly sensitive and should be handled with care.
Avoid extreme temperatures and be sure to store your microphone in the
pouch provided when not in use. Moisture of any kind can adversely affect
the sound and performance of your microphone.
However, the capsule is highly sensitive and should be handled with care.
Avoid extreme temperatures and be sure to store your microphone in the
pouch provided when not in use. Moisture of any kind can adversely affect
the sound and performance of your microphone.
***All specifications subject to change without notice.
www.audixusa.com
503-682-6933 Fax: 503-682-7114
Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070
AUDIX WARRANTY REGISTRATION FORM
Please Check all that apply:
Male Female
Age:
Age:
Occupation:
Primary Instruments: Product to be used for:
18 or Under
Musician
Vocal
Pro live sound
19-25
Producer
Guitar / Bass
Pro recording
26-35
Sound Eng.
Drums
Home recording
36-45
Radio/TV
Keyboard
Rehearsal
46-55
Production
Brass
Installation
55 +
Other _______
Woodwinds
School
Strings
House of Worship
How did you hear about Audix?
Other ___________ Other ___________
Magazine Ad Online Ad
On-line Store Friend Do you own other Audix Products? Yes No
Salesman Other __________ Model(s) ________________________________
Have you visited the Audix website? Yes No
Please register your product online at www.audixusa.com or mail this form to:
Audix Microphones P.O. Box 4010 Wilsonville, OR 97070
Name:________________________________ Model:___________________
Company:_____________________________ Serial Number:_____________
Address:______________________________ Store:____________________
City:_________________________________ Store Location:_____________
Prov./State:___________ Zip:_____________ Purchase Date:_____________
Phone: ( )___________________________ Signature:_________________
Email:________________________________ Date:____________________
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