Meridian Audio Digital Surround Controller G61 用户手册

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  Ambisonics
The Ambisonics DSP preset can decode  UHJ format, the two-
channel stereo-compatible encoding found on Ambisonically-
recorded discs and broadcasts. This material is specifically encoded 
for surround reproduction and can give breathtakingly realistic 
sound when replayed using the digital surround controller.
Ambisonics surround sound is quite unlike conventional stereo. A 
special microphone technique picks up the sound of the original 
performance in all three dimensions, allowing an archive to be 
made which describes the soundfield exactly at that position. The 
microphone signals are then encoded using a phase-amplitude 
matrix to allow the effect to be conveyed on two-channel carriers 
(like FM radio, LP, or CD).
The digital surround controller uses accurately matched, frequency-
dependent, phase-amplitude matrices to decode the signal and 
construct the signals for each speaker feed.
The fundamental difference between Ambisonics surround sound 
and conventional stereo is that the signals from all the speakers 
combine to produce a coherent soundfield at the listening position, 
giving the illusion that you are sitting inside the recording space 
whether you are at the exact central seat or well off to one side.
Of all the signal-processing options, Ambisonics is the one that 
requires the greatest attention to speaker choice and positioning.
  Super
Super synthesises a signal from a conventional stereo recording 
or broadcast so that it can be decoded using the Ambisonic 
decoder. The result is especially effective for two particular types of 
recordings:
• Those using true coincident microphone techniques.
• Multi-tracked or multi-miked recordings.
  Ambisonics and Super DSP preset parameters
Parameter
Options
What it changes
 Width*
0 to 1
The width of the image.
 Row†
A, C, E, G, I, K, M
The seating position; the letters are like rows in a hall.
 Channels
7, 6, 5, 4
The number of speakers.
 R Filter
Off, 3kHz, 7kHz, 9kHz 
The cutoff of high frequencies from the rear surrounds.
 S Filter
Off, 3kHz, 7kHz, 9kHz
The cutoff of high frequencies from the side surrounds.
*Super only.
†Ambisonics only.
D S P   p r e s e t s
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