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7 - Appendix
MIDI Time Code (MTC)
98
Creative Professional
MIDI Time Code (MTC)

MTC and SMPTE do 
NOT synchronize at the 
sample rate and are not 
locked to word clock in 
any way. 
SMPTE and MTC are used 
to synchronize music but 
do not have the required 
resolution to sample-lock 
digital audio. 
MIDI time code is basically SMPTE time code adapted to the world of MIDI. MTC 
specifies “absolute” location information in hours:minutes:seconds:frames, just like 
SMPTE. There are two main kinds of messages in MTC: Full-frame messages and 
Quarter-frame messages.
Full-frame messages are ten bytes long and are sent when SMPTE start, stops, or 
relocates. Full-frame messages contain the entire SMPTE number of, hours, minutes, 
seconds, frames, as well as the SMPTE type: 24fps, 25fps, 30fps non-drop, 30fps drop.
Quarter-frame messages are sent at each quarter of a SMPTE frame and only carry 1/8th 
of the SMPTE time message. Quarter-frame messages require two entire SMPTE frames 
to send the complete time stamp (h:m:s:f). Timing accuracy is maintained as long as the 
quarter-frame messages continue to come in at a constant rate.

To Enable MTC:
MIDI Time code disables the use of MIDI port 2 on the back panel of the AudioDock.
1.
Open Session Settings from the toolbar.
2.
Select the MIDI tab and choose Sync Card/MTC from the MIDI options.
3.
Click OK to close the window.
Since it is important to have a stable timing reference for your song or sequence, we 
have given MTC its own MIDI output port on the Sync Daughter Card. This ensures that 
the timing information will not be affected by other MIDI data on the line.
Word Clock In/Out
f
Word clock, ADAT and 
S/PDIF synchronize at the 
sample rate and are used 
to transfer digital data 
between machines.
Word clock provides a standardized means of synchronizing multiple digital audio 
devices so that data can be transferred digitally. In order to digitally transfer from one 
device to another, the two devices MUST be synchronized.
 Clicks and pops in the 
audio will result when transferring digital audio which is not synchronized.
The E-MU 1010 PCI card can be externally clocked from the ADAT input, S/PDIF input 
or from the Sync Daughter card (if installed). In a digital studio, all digital devices in 
the system should run off the same master Word Clock

To Synchronize PatchMix DSP to an External Clock Source:
1.
Make sure an external clock source is connected to the E-MU Digital Audio System 
hardware via the word clock, ADAT or S/PDIF input.
2.
Open the Session Settings dialog box.
3.
Under the System tab, select External Source, then select either word clock, ADAT 
or S/PDIF.
4.
Press OK to close the dialog box.
5.
Check the Sync section of PatchMix DSP to verify that the Locked indicator is 
illuminated.
Devices can be connected in daisy chain fashion (word clock out connected to the next 
unit’s word clock in) or in parallel for one or two devices, but professional digital 
studios normally use a master word clock generator or “House Sync” with a distribution 
system so that each device receives a phase-coherent and jitter-free word clock.