Digidesign Control 24 用户手册

Chapter 12: Mixing

Control|24 provides comprehensive support for 
the Pro Tools mix environment. This includes 
the ability to access and control input and out-
put configurations, inserts, sends, auxiliary in-
puts, master faders, and mix automation.

Signal Routing

A Pro Tools session can contain as many as four 
different types of tracks:

Audio Tracks 

control audio from disk, and input 

signals when record-enabled. 

Auxiliary Inputs 

provide the same signal routing 

options as audio tracks, except that their input 
must come from an internal bus or hardware in-
put. 

Master Faders 

control the master output levels, 

and can be assigned to any output or bus path.

Although the routing and configuring of MIDI 
tracks differs in various ways from the way it is 
done with audio, a MIDI track will appear and 
function in basically the same way as an audio 
track on Control|24.

The assignment procedure for Auxiliary Inputs, 
Master Faders, and Audio Tracks is essentially 
the same as for audio tracks.

Channel Input and Output

Use the Assignment section in conjunction with 
a channel’s encoder knob to assign the source 
input and output for audio and MIDI tracks (see 
“Assigning Channel Input” on page 87 and “As-
signing Outputs” on page 88 for instructions). 

Auxiliary Inputs

Pro Tools Auxiliary Inputs are used as bus and 
effects returns for both internally-bussed signals 
and external sources. The methods for assigning 
inputs and outputs on Control|24 are the same 
as for audio tracks. 

To route an Auxiliary Input:

1  

Make sure you are in Home or Sends mode.

2  

Press ASSIGN. The ASSIGN and ESC/CANCEL 

switches flash.

3  

Press INPUT.