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103
Insert effect parameter functions
Section 2
Preamp
This effect is used to adjust the distortion and tone of guitar
sounds.
sounds.
*
When Bass, Middle, and Treble are all set to 0, certain Amp Type
settings may result in no sound being output.
settings may result in no sound being output.
Effect On/Off
OFF, ON
Turns the preamp effect on or off.
Amp Type
This sets the type of preamp to be used. The distortion and tone
characteristics of each amp are as shown below:
characteristics of each amp are as shown below:
■
With “COSM COMP GUITAR AMP,” or
“VO+GT.AMP” algorithms
■
With “COSM BASS AMP” or “COSM
COMP BASS AMP” algorithms
Volume
0–100
Adjusts the volume and distortion of the amp.
Bass
GUITAR AMP: 0–100, BASS AMP: -100–+100
Adjusts the tone for the low frequency range.
Middle
GUITAR AMP: 0–100, BASS AMP:-100–+100
Adjusts the tone for the middle frequency range.
*
If you have selected “MATCH” or “VO DRV” as the preamp type, the
middle control will have no effect.
middle control will have no effect.
Treble
GUITAR AMP: 0-100, BASS AMP: -100–+100
Adjusts the tone for the high frequency range.
Presence
0–100
Adjusts the tone of the ultra-high frequency range.
*
This is not displayed when the algorithm is “COSM BASS AMP” or
“COSM COMP BASS AMP.”
“COSM COMP BASS AMP.”
*
If you have selected “MATCH” or “VO DRV” as the preamp type,
raising the presence will cut the high range (i.e., the value will change
from “0” to “-100”).
raising the presence will cut the high range (i.e., the value will change
from “0” to “-100”).
Master
0–100
Adjusts the overall volume of the preamp.
Bright
OFF, ON
Turns the bright setting on or off.
OFF:
No brightness is added.
ON:
Brightness is added to create a lighter, crisper tone.
*
This will not be displayed for certain Amp Type settings.
Gain
LOW, MIDDLE, HIGH
Adjusts the distortion generated by the amp, with the level
increasing in sequence for LOW, MIDDLE, and HIGH.
increasing in sequence for LOW, MIDDLE, and HIGH.
*
The sound of each type is created with the assumption that gain is set to
MIDDLE. It is normal, therefore, to use this setting.
MIDDLE. It is normal, therefore, to use this setting.
JC-120
The sound of the Roland “JC-120,” a favor-
ite of pro musicians around the world.
ite of pro musicians around the world.
CLEAN
The sound of a conventional built-in tube
amp.
amp.
CRUNCH
Allows you to reproduce a crunch effect
and recreate natural distortion.
and recreate natural distortion.
MATCH
The latest tube-amp sound widely used in
all styles from blues and rock.
all styles from blues and rock.
VO DRV
The Liverpool sound of the 60’s.
BLUES
A lead sound with a rich middle ideal for
blues.
blues.
BG LEAD
The sound of a tube amp typical of the late
‘70s to ‘80s and characterized by a distinc-
tive midrange.
‘70s to ‘80s and characterized by a distinc-
tive midrange.
MS
The sound of a large tube-amp stack that
was indispensable to the British hard rock
of the 70’s and is still used today by many
hard rock guitarists.
was indispensable to the British hard rock
of the 70’s and is still used today by many
hard rock guitarists.
1
A trebly sound created by using in-
put I of the guitar amp.
put I of the guitar amp.
2
A trebly sound created by using in-
put II of the guitar amp.
put II of the guitar amp.
1+2
The sound achieved by connecting
Inputs I and II on the guitar amp in
parallel, and giving a stronger low
end than can be achieved with Input
I alone.
Inputs I and II on the guitar amp in
parallel, and giving a stronger low
end than can be achieved with Input
I alone.
SLDN
A tube amp sound with versatile distortion,
usable in a wide range of styles.
usable in a wide range of styles.
METAL
The sound of a large tube amp, suitable for
heavy metal.
heavy metal.
METAL D
A powerful, high-gain metal sound.
AC
The vintage sound of an early transistor
amp.
amp.
AMG
The sound of a large double-stack, vacuum-
tube amp with ultra-lows and a crisp edge.
tube amp with ultra-lows and a crisp edge.
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