JL Audio 450/4V2 用户手册

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页码 17
20  |  JL Audio - 450/4
v2
 Owner’s Manual  
21
C) Subwoofer Level Control Only
Req uired
: a source unit or processor 
with left, right and dedicated 
subwoofer outputs is required. 
Inp ut  Connections: one stereo pair of source 
unit outputs is connected to the CH 1&2 
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subwoofer output is connected to the 
subwoofer amplifier inputs. In this mode, the 
450/4v2’s preamp output is not used.
Res ult: the user has the ability to control the 
absolute level of the subwoofer channel 
relative to the MF and HF channels.
 
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Set the subwoofer amplifier’s “Input 
Sens.” with the source unit’s subwoofer 
level control set at 3/4 of full output. 
Refer to the subwoofer amplifier owner’s 
manual for proper adjustment.
 
Crossover setup for tri-amplified 3.1 system with 
one 450/4v2 and a separate subwoofer amplifier:
Once the input and preamp output sections have 
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Filter Section
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will determine the high-pass cutoff and slope of 
the bandpass filtering applied to the MF (mid-
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Range
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cannot be used in this mode. 
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Input Section
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the high-pass cutoff and slope of the high pass 
filtering applied to the HF (high-frequency) 
channels as well as the low-pass cutoff frequency 
and slope for the MF channels’ bandpass filter. 
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desired MF to HF crossover frequency is below 
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if your desired MF to HF crossover frequency 
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After proper adjustment of the 450/4v2’s CH 
1&2 and CH 3&4, and the subwoofer amplifier’s 
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tune filter frequencies and slopes and attenuate 
the LF, MF and HF channel pair or with the  
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controls of the 450/4v2 use the method shown in 
Appendix B (page 22). For precise filter frequency 
information for the 450/4v2 refer to Appendix 
A (page 22). Refer to the subwoofer amplifier 
owner’s manual for proper adjustments.
TRI-AMPLIFIED SYSTEMS
Tri-amplified systems are defined as systems 
in which separate amplifier channels drive 
low-frequency (LF), mid-frequency (MF) and 
high-frequency (HF) speakers and are separately 
filtered to send appropriate frequency ranges to 
each speaker system.
The most common application of tri-
amplification in mobile audio is to drive a 
subwoofer system from one or more amplifiers 
or channels (LF channels), mid-range speakers 
from a separate amplifier or set of channels 
(MF channels) and high-frequency speakers 
from a separate amplifier or set of channels 
(HF channels). One such configuration is to 
run subwoofers off the LF channel(s), mid-
bass speakers off the MF channels, and a 
passively crossed over mid/high frequency 
component speaker systems on the HF channels.  
Another approach is to run subwoofers off the 
LF channel(s), mid-woofers off the MF channels 
and tweeters off the HF channels (all actively 
crossed over). 
By activating the CH 1&2 bandpass filter 
feature, the 450/4v2 can easily be configured 
to drive a tri-amplified system in conjunction 
with a separate subwoofer amplifier that 
includes a low-pass filter. CH 3&4 of the 
450/1 will drive the HF speakers (75W x 2), 
CH 1&2 will drive the MF speakers (150W 
x 2) and the separate subwoofer amp(s) 
will drive the LF speakers (subwoofers).
 
Input connection options for the Tri-Amplified 
Stereo mode are as follows:
A) No User Adjustability
Req uired
: a basic source unit or processor with 
left and right stereo outputs. 
Inp ut  Connections: a single pair of stereo 
source unit outputs is connected to the CH 
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Input Section
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are connected to the preamp outputs of the 
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Res ult: the relative level of all channels will be 
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and will not be user adjustable from the front 
of the vehicle.
B) Fade Subwoofer Level vs. MF/HF Level
Req uired
: a source unit or processor with front 
and rear pairs of outputs is required. 
Inp ut  Connections: one stereo pair of source 
unit outputs is connected to the CH 1&2 
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iInput ModewTXJUDIJOUIFiCH 1&2 Input 
Section
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unit outputs is connected to the subwoofer 
amplifier inputs. In this mode, the 450/4v2’s 
preamp output is not used.
Res ult: the user has the ability to adjust the level 
of the subwoofer channel relative to the mid 
and high-frequency channels via the source 
unit’s fader control, without exceeding the 
maximum clean output level set by each 
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