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Chapter 9 Parameters Guide FX (Effects)
PEDAL BEND
This lets you use the pedal to get a pitch bend effect.
*
Because of the need to analyze the pitch, chords (two or more sounds
played simultaneously) cannot be played.
played simultaneously) cannot be played.
2x2 CHORUS
Frequency band division is employed to produce two different
choruses, one for low frequencies and one for higher frequencies, for
both the left and right channels (for a total of four). This allows you
to achieve a more natural chorus sound.
choruses, one for low frequencies and one for higher frequencies, for
both the left and right channels (for a total of four). This allows you
to achieve a more natural chorus sound.
Parameter/
Range
Range
Explanation
PITCH MIN (Pitch Minimum )
-24–+24
This sets the pitch at the point where the ex-
pression pedal is fully lifted.
pression pedal is fully lifted.
PITCH MAX (Pitch Maximum )
-24–+24
This sets the pitch at the point where the ex-
pression pedal is all the way down.
pression pedal is all the way down.
PEDAL POS (Pedal Position)
0–100
Adjusts the pedal position for pedal bend.
* This parameter is used after it’s been
assigned to an expression pedal or similar
controller.
controller.
EFFECT LEVEL
0–100
Adjusts the volume of the pitch bend sound.
DIRECT LEVEL
0–100
Adjusts the volume of the direct sound.
Parameter/
Range
Range
Explanation
X-OVER FREQ (Crossover Frequency)
100 Hz–4.00 kHz
This sets the frequency dividing the low-
and high-frequency ranges.
and high-frequency ranges.
LOW RATE
0–100,
BPM
–BPM
Adjust the speed of the chorus effect for the
low frequency range.
low frequency range.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
time.
LOW DEPTH
0–100
Adjust the depth of the chorus effect for the
low frequency range. If you wish to use this
as a doubling effect, use a setting of 0.
low frequency range. If you wish to use this
as a doubling effect, use a setting of 0.
LOW PREDLY (Low Pre Delay)
0.0 ms–40.0 ms
Adjusts the delay of the effect sound in the
low-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
low-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
LOW LEVEL
0–100
Adjusts the volume of the effect sound in
the low-frequency range.
the low-frequency range.
HIGH RATE
0–100,
BPM
–BPM
Adjust the speed of the chorus effect for the
high frequency range.
high frequency range.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
time.
HIGH DEPTH
0–100
Adjust the depth of the chorus effect for the
high frequency range. If you wish to use this
as a doubling effect, use a setting of 0.
high frequency range. If you wish to use this
as a doubling effect, use a setting of 0.
HIGH PREDLY (High Pre Delay)
0.0 ms–40.0 ms
Adjusts the delay of the effect sound in the
high-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
high-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
HIGH LEVEL
0–100
Adjusts the volume of the effect sound in
the high-frequency range.
the high-frequency range.
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