用户手册目录1. INTRODUCTION61.1 The concept61.2 Before you get started71.3 Control elements82. OPERATION11Compression/levelling/limiting/clipping12Expander/gate section12Compressor section14Peak limiter section15The side chain function16The vacuum tube of the TUBE COMPOSER173. APPLICATIONS173.1 The TUBE COMPOSER in the studio173.1.1 Controlling leakage in the studio173.1.2 Using the TUBE COMPOSER for recording and cassette duplication173.1.3 The TUBE COMPOSER in digital recording and sampling183.1.4 Noise reduction on effects paths183.2 The TUBE COMPOSER in live applications183.2.1 Reducing leakage in stage mics183.2.2 Reducing feedback in stage mics183.2.3 The TUBE COMPOSER as a protective device183.2.4 Improving the sound of a processor system193.3 The TUBE COMPOSER as a sound effects unit203.4 The TUBE COMPOSER in mastering203.5 The TUBE COMPOSER in broadcast203.6 Side chain213.6.1 The TUBE COMPOSER as De-Esser213.6.2 Frequency selective filtering of unwanted signals213.6.3 Suppressing instruments during recording223.6.4 Emphasizing musical instruments during recording223.6.5 Anticipated compression223.6.6 Voice-Over compression (ducking)223.6.7 Triggering additional sounds from a rhythm track224. TECHNICAL BACKGROUND224.1 Audio dynamics234.1.1 Noise as a physical phenomenon234.1.2 What are audio dynamics?244.1.3 Compressors/limiters254.1.4 Expanders/noise gates254.2 The tubes used in the TUBE COMPOSER264.3 Tube history264.4 Design and functional principle of tubes274.5 Properties of tubes284.6 The best of both worlds294.7 UTC circuit294.8 Studio applications295. INSTALLATION30Rack mounting30Mains connection30Audio connections30Selecting the operating level31Transformer-balanced output (option)316. SPECIFICATIONS327. WARRANTY34文件大小: 3.5 MB页数: 34Language: English打开用户手册