Behringer Europack Pro RX1602 User Manual

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EURORACK PRO RX1602 User Manual
(2) 
By using the BALANCE control, you can
set up the position of mono signals in the stereo image, and
regulate the ratio of left/right channel signals when processing 
stereo signals
(3) 
The MUTE switch is used to interrupt the signal path, thus muting the 
respective channel. When pressed (signal muted) the switch is lit red.
When the MUTE switch is not depressed, the red light functions as CLIP 
display, indicating when the input signal level is too high (>+17 dBu). 
To avoid distortion, please reduce the signal level using the LEVEL control   
(4)
  in case the CLIP indicator is frequently or permanently lit.
(4) 
To increase or reduce the input signal level, use the LEVEL control 
(increase up to +15 dB, reduce all the way down to -∞).
Similarly, use the LEVEL controls of the channel sections to regulate the 
channel’s signal level present in the main mix.
(5) 
Use the OPERATING LEVEL switch located on the rear of your RX1602 
to individually adjust each channel to the output signal level of your 
equipment. When the switch is depressed (-10 dBV), the inputs are 
more sensitive.
(6) 
These are the inputs of the channel sections on balanced 1/4" TRS connectors. 
Of course, you can connect mono jacks (unbalanced operation). To use a 
channel for a mono signal, please connect the signal source to the left input.
2.2  Main section
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(3)
Fig. 2.2: Main section
(7) 
Use the MON/FX SEND control to set the signal level of those signals 
that are routed to the MON OUT SEND connector  
(14)
  for monitoring or 
effects applications.
(8) 
The left signal portion of the mix created using the LEVEL and BALANCE 
controls of each channel is set using the MAIN LEFT control.
The right signal portion of the mix is correspondingly adjusted using 
the MAIN RIGHT control. Amplification of up to +15 dB is possible 
on both controls.
(9) 
You can easily get a readout of both channels by observing the 
highly acurate 7-digit level meters labeled LEFT OUTPUT LEVEL 
and RIGHT OUTPUT LEVEL.
Gain setting:
To correctly set the input gain of a channel, please press the MUTE switch  
(3)
  of the remaining channels.
When recording with digital multi-channel recorders, the peak meter on the 
recorder should not reach over 0 dB. This is because unlike with digital recordings, 
even the smallest amount of distortion can lead to unpleasant-sounding 
end result.
With analog recorders, the VU meters of the recording device should read roughly 
up to +3 dB in case of low-frequency signals (e.g. bass drum). Because of their 
inherent inertia, VU meters tend to display levels of signals with frequencies 
of above 1 kHz too low. Therefore, when using instruments such as a hi-hat, 
you should set the input gain only up to -10 dB. Snare drums should be set up to 
roughly 0 dB.
◊ 
The peak meters of your EURORACK PRO display the level virtually 
frequency-independent. A re-cording level of 0 dB is recommended for 
all kinds of signals.
(10) 
The TO PHONES switch gives you the option to feed the signals routed to the 
monitor/effects bus into your headphones for control purposes.
Attention!
◊ 
We would like to bring your attention to the fact that high volume 
levels may damage your hearing and/or your headphones. Please turn 
the MAIN LEFT and MAIN RIGHT controls as well as the PHONES control 
in the main section all the way to the left before powering up the unit. 
Please always pay keen attention to an appropriate volume level.
(11) 
The LEVEL control in the MAIN section governs the volume level of 
your headphones.
Please connect your headphones to the PHONES connector. It is a standard 
1/4" TRS stereo connector.
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Fig. 2.3: POWER switch, LEVEL control and PHONES connector
(12) 
Use the POWER switch to power up your RX1602. The POWER switch should 
always be in the “Off” position when you are about to connect your unit to 
the mains.
◊ 
Attention: The POWER switch does not fully disconnect the unit from 
the mains. Unplug the power cord completely when the unit is not used 
for prolonged periods of time.