Roland MC-909 User Manual
107
Multi-Effects List
Effects
46: TIME CONTROL DELAY
(MFX2 only)
This lets you smoothly vary the delay time. As the delay time is
varied, the pitch will change correspondingly; lengthening the delay
time will lower the pitch, and shortening it will raise the pitch.
varied, the pitch will change correspondingly; lengthening the delay
time will lower the pitch, and shortening it will raise the pitch.
fig.MFX46
47: TIME SKIP DELAY
(MFX2 only)
A delay that changes the delay time in stair-step fashion.
fig.MFX47
note:
fig.notelist2.e
Parameter
Value
Description
Delay #1
0–4000 ms,
note
note
Adjusts the time until the delay is
heard.
heard.
Feedback
#2
#2
-98– +98 %
Adjusts the amount of the delay
that’s fed back into the effect. Nega-
tive (-) settings invert the phase.
that’s fed back into the effect. Nega-
tive (-) settings invert the phase.
Accelera-
tion
tion
0–15
Adjusts the time over which the De-
lay Time changes from the current
setting to a specified new setting.
lay Time changes from the current
setting to a specified new setting.
The rate of change for the Delay
Time directly affects the rate of
pitch change.
Time directly affects the rate of
pitch change.
HF Damp
200–8000
Hz, BY-
PASS
Hz, BY-
PASS
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you do not want to filter
out any high frequencies, set this
parameter to BYPASS.
sound fed back to the effect is fil-
tered out. If you do not want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan
L64–63R
Stereo location of the delay
Low Gain
-15– +15 dB
Gain of the low frequency range
High Gain
-15– +15 dB
Gain of the high frequency range
Balance
D100:0W–
D0:100W
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
sound (D) and the delay sound (W)
Level
0–127
Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
Parameter
Value
Description
Delay #1
0–4000 ms,
note
note
Adjusts the time until the delay is
heard.
heard.
Skip Rate
0.05–10.0
Hz, note
Hz, note
Frequency at which the delay time
will change
will change
Feedback
#2
#2
-98– +98 %
Adjusts the amount of the delay
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
Accelera-
tion
tion
0–15
Adjusts the time over which the De-
lay Time changes from the current
setting to its specified new setting.
lay Time changes from the current
setting to its specified new setting.
HF Damp
200–8000
Hz, BY-
PASS
Hz, BY-
PASS
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan
L64–63R
Stereo location of the delay
Low Gain
-15– +15 dB
Gain of the low frequency range
High Gain
-15– +15 dB
Gain of the high frequency range
Balance
D100:0W–
D0:100W
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
sound (D) and the delay sound (W)
Level
0–127
Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Skip Delay
(Double note)
(Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet),
(Thirty-second note),
(Sixty-fourth-note triplet),
(Sixty-fourth note),
(Thirty-second-note triplet),
(Dotted eighth note),
(Quarter-note triplet),
(Eighth note),
(Half-note triplet),
(Quarter note),
(Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
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