Tascam DM-24 User Manual
plugging this signal into the MX-2424 will register 6dB less then if a “balanced”
signal were sent to it.
To use this solution with other recorders we recommend that the manufacturer is
consulted as to what cable to use with their product.
signal were sent to it.
To use this solution with other recorders we recommend that the manufacturer is
consulted as to what cable to use with their product.
For a DA-78HR or DA-38 use ¼” to RCA cables:
CU/SU302 6ft.
CU/SU303 10ft.
CU/SU304 13ft.
CU/SU305 16ft.
CU/SU307 23ft.
The DA-78HR and DA-38 have unbalanced inputs and we recommend that they
are used for this solution.
CU/SU302 6ft.
CU/SU303 10ft.
CU/SU304 13ft.
CU/SU305 16ft.
CU/SU307 23ft.
The DA-78HR and DA-38 have unbalanced inputs and we recommend that they
are used for this solution.
Tracking with channels 25-32
If only 8 tracks of simultaneous recording are necessary, mic/line inputs 1-8 can
be assigned to channels 25-32. Use busses 1-8 to buss the signal to tape
digitally and use channels 1-24 as digital tape return channels. This is also a
very easy way to work.
If only 8 tracks of simultaneous recording are necessary, mic/line inputs 1-8 can
be assigned to channels 25-32. Use busses 1-8 to buss the signal to tape
digitally and use channels 1-24 as digital tape return channels. This is also a
very easy way to work.
EFFECTS
The DM-24 has two internal effects processors. Processor #1 contains the TC
Works reverb (over 100 presets) and the Antares Mic and Speaker modeler. TC
works reverb and the Antares Speaker modeler cannot be used simultaneously.
Processor #2 contains TASCAM effects:
Works reverb (over 100 presets) and the Antares Mic and Speaker modeler. TC
works reverb and the Antares Speaker modeler cannot be used simultaneously.
Processor #2 contains TASCAM effects:
•
Chorus
•
Delay
•
Pitch
Shifting
•
Phaser
•
Flanger
•
Compressor
•
Guitar
compressor
•
Exciter
•
De-esser
•
Gate
•
Distortion (with amp simulators)
There are two locations called “Effect 1 and Effect 2” where these algorithms can
be loaded. The source of the inputs to Effects 1 and Effects 2 can be Aux sends
1-6. Effects returns can be assigned to any of the 32 channels. Effects 1 and 2
can also be routed as “inserts” on busses 1-8, Aux sends 1-6 or the stereo buss.
The internal effects can also be used with the “assignable” inserts. For instance,
if a fretless bass is on channel 2 and chorus needs to be added to it, assign the
chorus effect to assignable insert #1 and assign insert #1 to channel 2. Using
the assignable insert saves an aux send and two return channels.
Effect 1 and Effect 2 can also be run in series. This would allow you to run a
delay into a reverb, for instance.
be loaded. The source of the inputs to Effects 1 and Effects 2 can be Aux sends
1-6. Effects returns can be assigned to any of the 32 channels. Effects 1 and 2
can also be routed as “inserts” on busses 1-8, Aux sends 1-6 or the stereo buss.
The internal effects can also be used with the “assignable” inserts. For instance,
if a fretless bass is on channel 2 and chorus needs to be added to it, assign the
chorus effect to assignable insert #1 and assign insert #1 to channel 2. Using
the assignable insert saves an aux send and two return channels.
Effect 1 and Effect 2 can also be run in series. This would allow you to run a
delay into a reverb, for instance.