Adobe CS5 5, Win, ES 65051311 User Manual

Adobe Premiere Pro CS5 

What’s New

Adobe OnLocation CS5 provides an impressive array of production tools to help you shoot better 
and faster while saving time and money, both on set and off. New support for tapeless cameras 
extend the ways you can use OnLocation in your production workflows. 
Spot problems in imported tapeless footage. Thanks to new tapeless camera support, you can 
use the comprehensive software waveform monitor and vectorscope as well as the audio spectrum 
analyzer in OnLocation to identify image and audio problems in imported files by quickly scanning 
your footage for audio pops, clipping, and video overbrights.
Logging with tapeless cameras. Get all the benefits of real-time, on-set logging when working with 
tapeless cameras. Simply tell OnLocation which shot is currently recording and then enter notes, 
comments, and additional metadata into placeholder clips. Using timecode as a reference, OnLocation 
automatically matches the information to the recorded clips when they are imported from the tapeless 
media, regardless of whether the camera is tethered to OnLocation on-set or whether the clips are 
imported during post-production. 

Faster logging with Turbo Comments. While recording, the new Turbo Comments feature lets you add 
frequently used words—cast names, sports highlights, and so on—with a single keystroke to log live 
action accurately, consistently, and efficiently. OnLocation lets you store up to nine comments with 
unique shortcuts, for immediate, timecode-accurate logging.

Comment markers are displayed in 
the Field Monitor timeline.

The new Timestamp button tells 

OnLocation when the selected shot 

is being recorded, whether or not the 

camera is connected to OnLocation. 

When tapeless media is imported, 
OnLocation automatically matches the 

information to the recorded clips.

The Shot List in the Project panel lets you keep track of 

locations, In and Out point timecode, and other vital 
information, comment on clips, describe and catalog each 

shot, indicate camera moves, and automatically capture 

information coming from the camera.

The new Media Browser panel displays the contents of your 

computer drives. The Media Browser understands the 
standard Panasonic P2 and Sony XDCAM directory structure, 
so when you browse to a P2 directory, the Media Browser 
displays only the importable shots/takes. Likewise, when 

you navigate to an XDCAM directory, the Media Browser 

displays the importable clips. This saves you from having to 
search through the directory structure to find the content 

you want to import.

The Field Monitor displays DV, HDV, 

and DVCPRO natively, so unlike your 
camera’s viewfinder or LCD screen, the 
Field Monitor displays video  
exactly as it is recorded.

The Vectorscope displays the amount 

of color in the video signal for either the 

full frame or for a single horizontal line 
within a frame.

The Waveform Monitor operates in 

YUV or RGB color spaces, so you can 
evaluate brightness (luminance) and 

saturation levels.

Audio level meters help you keep track of your audio 

signal so it doesn’t distort, and pop alerts identify when 
sudden surges occur that are too short to register on 
meters.