Adobe CS5 5, Win, ES 65051311 User Manual
Product codes
65051311
12
Adobe Premiere Pro CS5
What’s New
Browsing tapeless content. The new Media Browser panel in Adobe OnLocation CS5 lets you
browse the contents of tapeless cameras without needing to understand camera file-naming
conventions. The Media Browser panel operates in the same way as in Adobe Premiere Pro,
displaying media clips along with their metadata and information specific to OnLocation, such
as take number, shot quality rating, and so on. Use the Media Browser panel to check the
contents of tapeless camera media without having to copy it to your hard drive or import
content into your OnLocation project. Direct browsing allows you to open up the content and
play it in the OnLocation Field Monitor. When you find the files you’re looking for, you can
quickly import them into your OnLocation project. As you play and scrub through your video
files in the Field Monitor, add In and Out points using the fast, intuitive OnLocation interface.
browse the contents of tapeless cameras without needing to understand camera file-naming
conventions. The Media Browser panel operates in the same way as in Adobe Premiere Pro,
displaying media clips along with their metadata and information specific to OnLocation, such
as take number, shot quality rating, and so on. Use the Media Browser panel to check the
contents of tapeless camera media without having to copy it to your hard drive or import
content into your OnLocation project. Direct browsing allows you to open up the content and
play it in the OnLocation Field Monitor. When you find the files you’re looking for, you can
quickly import them into your OnLocation project. As you play and scrub through your video
files in the Field Monitor, add In and Out points using the fast, intuitive OnLocation interface.
Export sub-projects with just the takes you want. Particularly useful when working on a long,
complicated shoot, OnLocation makes it easy to organize your media by splitting the project into
sub-projects. This also lets you pre-sort the clips in your project—when you’re ready to export clips
to Adobe Premiere Pro, with a few simple clicks you can create a sub-project that only includes the
takes that you select. Access the sub-project’s folder from the Media Browser panel in Adobe
Premiere Pro and import the clips. When dropped into a sequence, clips that include In and Out
points marked in OnLocation form a pre-edited rough cut. When you send your Onlocation project
directly to Adobe Premiere Pro, your assets retain the metadata captured from your Adobe Story
script, along with metadata created when you logged your clips during the live shoot.
Publish your OnLocation Shot Lists. Keep everyone up to date during production by
publishing your OnLocation Shot List. OnLocation creates a CSV file, and makes it simple to
control which Shot List items and particulars are included. This allows the information to be
viewed on a variety of software and devices, including the Apple iPod Touch and the Apple
iPhone, letting you easily distribute shot lists to crew members on or off set.
Other timesaving enhancements in Adobe OnLocation CS5 include the ability to:
complicated shoot, OnLocation makes it easy to organize your media by splitting the project into
sub-projects. This also lets you pre-sort the clips in your project—when you’re ready to export clips
to Adobe Premiere Pro, with a few simple clicks you can create a sub-project that only includes the
takes that you select. Access the sub-project’s folder from the Media Browser panel in Adobe
Premiere Pro and import the clips. When dropped into a sequence, clips that include In and Out
points marked in OnLocation form a pre-edited rough cut. When you send your Onlocation project
directly to Adobe Premiere Pro, your assets retain the metadata captured from your Adobe Story
script, along with metadata created when you logged your clips during the live shoot.
Publish your OnLocation Shot Lists. Keep everyone up to date during production by
publishing your OnLocation Shot List. OnLocation creates a CSV file, and makes it simple to
control which Shot List items and particulars are included. This allows the information to be
viewed on a variety of software and devices, including the Apple iPod Touch and the Apple
iPhone, letting you easily distribute shot lists to crew members on or off set.
Other timesaving enhancements in Adobe OnLocation CS5 include the ability to:
• Import Adobe Story scripts, automatically capturing vital information as metadata to streamline
the creation of shot lists (see Script-to-Screen Workflows on page 6 for details)
• Switch between Take- and Shot-recording modes using a dedicated control in the Shot List that
provides immediate visual confirmation of the current mode
• Organize the view in the Shot List to more effectively find what you’re looking for using a
number of improvements, including the ability to sort on any column and search based on
any metadata attribute
any metadata attribute
• Manage shots more efficiently using options to break out scenes into multiple shots and camera
angles—OnLocation makes sure all appropriate metadata is transferred across to the new items,
and updates information where necessary
and updates information where necessary
• Reconnect media files to items in the OnLocation project quickly and easily when file references
get broken
• Create more space in the OnLocation user interface by choosing from four thumbnail sizes
options in the Shot List
• Pick up where you left off more quickly with an option to reopen the last project automatically
every time you launch OnLocation
• Use keyboard entry to navigate and edit metadata quickly in the Shot List
• Find clips by sight more efficiently by assigning a poster frame for each clip
About Adobe OnLocation
Shot- and Take-recording modes
Adobe OnLocation provides sepa-
rate recording modes that address
two different working styles:
two different working styles:
• Shot-recording mode creates a
shot with entirely unique
metadata properties (such as Clip
Name, Location, and Scene)
Name, Location, and Scene)
• Take-recording mode creates a
take that inherits metadata
properties from the currently
selected shot
selected shot
* The new Break Out Scene feature
allows you to quickly create
multiple duplicates of a given take
placeholder, and assign different
shot sizes to each duplicate
placeholder, and assign different
shot sizes to each duplicate