Adobe CS5, UPG, Win, DVD, ESP 65053340 User Manual
Product codes
65053340
6
Adobe After Effects CS5
What’s New
AVC-Intra support and expanded RED camera support
After Effects CS5 includes native support for
the new AVC-Intra 50 and AVC-Intra 100
codecs, as well as expanded native support
for footage from RED cameras.
the new AVC-Intra 50 and AVC-Intra 100
codecs, as well as expanded native support
for footage from RED cameras.
AVC-Intra is used by high-quality Panasonic
cameras like the AJ-HPX300, AJ-HPX3700
VariCam, and AJ-HPX2700 VariCam, as well
as recorders like the AJ-HPM110. According
to Panasonic documents, AVC-Intra 100 is
the highest recording quality available in a
one-piece camcorder—comparable to
mastering video quality—and is explicitly
designed and optimized for broadcast and
production. Adobe Premiere Pro CS5 also
supports AVC-Intra, so there’s no barrier to
integrating After Effects with Adobe Premiere
Pro projects if you want to use AVC-Intra.
cameras like the AJ-HPX300, AJ-HPX3700
VariCam, and AJ-HPX2700 VariCam, as well
as recorders like the AJ-HPM110. According
to Panasonic documents, AVC-Intra 100 is
the highest recording quality available in a
one-piece camcorder—comparable to
mastering video quality—and is explicitly
designed and optimized for broadcast and
production. Adobe Premiere Pro CS5 also
supports AVC-Intra, so there’s no barrier to
integrating After Effects with Adobe Premiere
Pro projects if you want to use AVC-Intra.
After Effects CS5, like Adobe Premiere Pro
CS5, provides full native support for RED R3D
files, allowing you to import them directly
without transcoding, rewrapping, or installing
additional software. Because the files you
import contain raw sensor data, you edit
footage that is as close to what the camera
captured as possible, enabling you to work
nondestructively on the color and look of
your projects. This includes the ability to edit
enhanced parameters such as Debayer
Detail, Chroma Denoise, White Balance, ISO
settings, and more.
CS5, provides full native support for RED R3D
files, allowing you to import them directly
without transcoding, rewrapping, or installing
additional software. Because the files you
import contain raw sensor data, you edit
footage that is as close to what the camera
captured as possible, enabling you to work
nondestructively on the color and look of
your projects. This includes the ability to edit
enhanced parameters such as Debayer
Detail, Chroma Denoise, White Balance, ISO
settings, and more.
With After Effects CS5, you can work with
content in all common RED R3D file
permutations, including 2K, 3K, 4K, 4K HD,
16x9, and 2x1, using a number of different
frame rates.
content in all common RED R3D file
permutations, including 2K, 3K, 4K, 4K HD,
16x9, and 2x1, using a number of different
frame rates.
Auto-keyframe mode
After Effects has long featured powerful, flexible keyframing. However, artists new to After Effects
have expressed a wish for an automatic way to begin keyframing their animations.
have expressed a wish for an automatic way to begin keyframing their animations.
To assist these artists, After Effects CS5 offers an Auto-keyframe mode. When Auto-keyframe
mode is on, modifying a property automatically turns its stopwatch on and adds a keyframe at
the current time. This prevents you from working with a layer’s properties only to realize later
that After Effects did not capture any of your changes. Parameters that can be automatically
keyframed include position, rotation, shape properties, mask properties, effect point controls,
and camera manipulation.
mode is on, modifying a property automatically turns its stopwatch on and adds a keyframe at
the current time. This prevents you from working with a layer’s properties only to realize later
that After Effects did not capture any of your changes. Parameters that can be automatically
keyframed include position, rotation, shape properties, mask properties, effect point controls,
and camera manipulation.
Auto-keyframe mode simplifies the keyframing process, and can help beginners avoid mistakes such as forgetting to enable
keyframing for certain properties.
keyframing for certain properties.
Multi-channel DPX
After Effects CS5 also supports
multi-channel DPX files, such as
those generated by the Northlight
film scanner. DPX has rapidly
become the preferred file format
those generated by the Northlight
film scanner. DPX has rapidly
become the preferred file format
of the visual effects community in
high-end production workflows.