Adobe CS5, UPG, Win, DVD, ESP 65053340 User Manual

Product codes
65053340
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Adobe After Effects CS5 
What’s New
 • An enhanced Levels effect Histogram display 
showing individual color channel strengths
•  New options for specifying the size of Bezier 
direction handles and vertices for masks and 
shapes as well as direction handles for motion 
paths, making them easier to see on today’s 
larger monitors
•  Tooltips added for each vertex in the Graph 
Editor, which display the layer name, property 
name, time, and value of the keyframe, making 
it easier to precisely check values at a glance
•  Numerous enhancements to scripting, 
including the ability to access parameters  
for adaptive motion blur, text tracking, label 
attributes, and per-character auto-orientation
Color Look-Up Table support
After Effects CS5 adds support for custom color look-up tables (LUTs) in the popular 3DL and  
CUBE file formats, which may be loaded into the new Apply Color LUT effect. This makes it 
possible, for example, to receive from a film output facility a custom LUT that reflects the specific 
color correction they are performing on a project, and simulate within After Effects what the result 
would look like on a specific piece of footage or final composite. You can also use this new feature 
to predict how your images will look through an unusual output chain such as displaying through  
a certain projector at a trade show or site-specific installation. In short, Color LUT support gives 
you confidence that the creative and technical decisions you make will translate properly to  
final output in an even wider variety of situations than before, and help ensure color consistency  
across multiple devices. 
Color management
In addition to providing new support 
for LUTs, After Effects also offers 
robust, ICC-based color management 
support on input, output, and for 
display simulation.
The updated Histogram display makes it easier to visualize 
and edit individual color channels. This display also makes 
it possible to spot problems, such as where editing the 
overall image may cause an individual channel to clip. 
Support for custom color LUTs makes it possible to preview within After Effects the result of film output color correction 
(top = original image; above = color-corrected image).