Behringer SX3282 Manual De Usuario

EURODESK SX3282 User Manual

8-track MIDI project studio with sampler, 8-track recording system, one vocal 

mic and several effects units. With largely computer-generated dance music 

you will want to have plenty of line inputs, and an ability to take vocals quickly, 

efficiently, and with minimal desk disturbance. Often a vocal line is added after 

the music is almost complete. For this we try not to use a valuable aux send as a 

cue feed.
Once you have finished taking vocals, the subgroups may be used to submix 

keyboards, drums etc. into the main mix. You might want, for instance, to apply 

creative keyed gating to a portion of the mix. Use a subgroup insert to do this.

Auxless headphones mix
In a dance production, effects are often of paramount importance in creating 

interesting/evolving sounds, and aux sends are usually all dedicated to this 

purpose. Also it is also not unusual for a vocalist to be drafted in to add some 

colour to the mix at a late stage. The simplest solution here is to feed the main 

mix into the artist’s cans. If you (or they) are uncomfortable working with the 

mix, try using a simple line mixer to blend the output of the mic channel (via a 

subgroup; possibly via a dedicated FX unit to keep the vocalist happy) with the 

main mix, the combined stereo signal then being fed into the vocalists cans.
If you need to hear the harmonies, but they’re putting the vocalist off key, 

you’ll want to be able to delete channels from the headphone mix. If you still 

don’t want to assign a couple of aux buses to headphones monitoring because 

this would disturb the main mix, the following suggestion might prove useful: 

Set up a separate channel assignment on a subgroup pair, omitting the offending 

channels, and use that output instead of the main mix to drive the headphones 

either directly or via a line mixer as illustrated above.

1

Tape 1

—

—

—

2

Tape 2

Mix

L

M

3

Tape 3

Mix

L

M

4

Tape 4

Mix

L

M

5

Tape 5

Mix

L

M

6

Tape 6

Mix

L

M

7

Tape 7

Mix

L

M

8

Tape8

Mix

L

M

9

Sampler 1

Mix

L

M

10

Sampler 2

Mix

L

M

11

Sampler 3

Mix

L

M

12

Sampler 4

Mix

L

M

13

Sampler 5

Mix

L

M

14

Sampler 6

Mix

L

M

15

Sampler 7

Mix

L

M

16

Sampler 8

Mix

L

M

17

Drum Computer Kick

Mix

L

M

18

Drum Computer Snare

Mix

L

M

19

Drum Computer Hi-Hat

Mix

L

M

20

Drum Computer Clap

Mix

L

M

21

Synthesizer 1

Mix

L

M

22

Synthesizer 2

Mix

L

M

23

Synthesizer 3

Mix

L

M

24

Vocal Mic

Mix

L

M

25/26

Effect 1

Mix

L

S

27/28

Effect 2

Mix

L

S

29/30

Effect 3

Mix

L

S

31/32

Effect 4

Mix

L

S

Aux Return 1

Effect 5

Mix

L

S

Aux Return 2

Effect 6

Mix

L

S

Aux Return 3

Effect 7

Mix

L

S

Aux Return 4

Effect 8

Mix

L

S

Subgroup 

Outputs

—

> Main Mix/Tracks 

1 to 8

—

—

Aux Output 1

Effect 1

—

—

—

Aux Output 2

Effect 2

—

—

—

Aux Output 3

Effect 3

—

—

—

Aux Output 4

Effect 4

—

—

—

Aux Output 5

Effect 5

—

—

—

Aux Output 6

Effect 6

—

—

—

Aux Output 7

Effect 7

—

—

—

Aux Output 8

Effect 8

—

—

—

Mix Output L

—

> DAT

—

—

Mix Output R

—

> DAT

—

—

Monitor Out L

—

> CTRL-R./

Headphones

—

—

Monitor Out R

—

> CTRL-R./

Headphones

—

—

Tab. 10.2: 8-track studio recording