Behringer SX3282 Manual De Usuario

EURODESK SX3282 User Manual

This set-up is for a multipurpose studio capable of recording live bands. 

The following layout is for a bass & drum take while other artists also perform 

guides to give correct feel for the song. Mic channels are used to record to tape, 

eight tracks at a time (max.) via the subgroup outputs. Since there are no tape 

returns to monitor from tape when input channels are unavailable, you might 

have to temporarily patch the tape outputs into other line inputs, e.g. stereo 

input channels, if you want to audition a take before placing tape tracks onto 

their final destination desk channels. We suggest that during playback you 

audition in mono 

(27)

 as listening to hard-panned kick and snare drum will be 

irritating. If you are using analog tape with timecode, leave track 15 free as a 

guard band. Place timecode on track 16.

1

Kick Drum

1

M

m

2

Snare Drum

2

M

m

3

Hi-Hat

3

M

m

4

Tom 1

4 & 5 (stereo mix)

M

m

5

Tom 2

4 & 5 (stereo mix)

M

m

6

Tom 3

4 & 5 (stereo mix)

M

m

7

Tom 4

4 & 5 (stereo mix)

M

m

8

Overheads L

6

M

m

9

Overheads R

7

M

m

10

Bass guitar

8

M

m

11

Bass guit. DI

8

L

m

12

Lead Vocal Guide

mix

M

m

13

Back Vocals Guide 1

mix

M

m

14

Back Vocals Guide 2

mix

M

m

15

Back Vocals Guide 3

mix

M

m

16

Guitar Guide

mix

M

m

17

Brass Guide 1

mix

M

m

18

Brass Guide 2

mix

M

m

19

Brass Guide 3

mix

M

m

20

Brass Guide 4

mix

M

m

21

Sequence Guide 1

mix

L

m

22

Sequence Guide 2

mix

L

m

23

Effect 1

mix

L

m

24

Effect 2

mix

L

m

25/26

Tape Monitor 1/2

mix

L

s

27/28

Tape Monitor 3/4

mix

L

s

29/30

Tape Monitor 5/6

mix

L

s

31/32

Tape Monitor 7/8

mix

L

s

AuxRtn1

Tape Monitor 9/10

Mix (stereo)

L

s

AuxRtn 2

Tape Monitor 11/12

Mix (stereo)

L

s

AuxRtn 3

Tape Monitor 13/14

Mix (stereo)

L

s

AuxRtn 4

Tape Monitor 15/16

Mix (stereo)

L

s

Subgroup Out

—

> Main Mix / Tracks 1-16

—

—

Aux Output 1

—

> Cue 1

—

—

Aux Output 2

—

> Cue 2

—

—

Aux Output 3

—

> Effects 1

—

—

Aux Output 4

—

> Effects 2

—

—

Aux Output 5

—

> Cue 3

—

—

Aux Output 6

—

> Cue 4

—

—

Aux Output 7

—

> Cue 5

—

—

Aux Output 8

—

> Cue 6

—

—

Mix Output L

—

> DAT

—

—

Mix Output R

—

> DAT

—

—

Monitor Out L

—

> Control Room

—

—

Monitor Out R

—

> Control Room

—

—

Tab. 10.3: SX3282 example: 16-track studio recording, bass guitar and drum tracks

1

(Kick Dr.) Tape 1

mix*

L

m

2

(Snare Dr.) Tape 2

mix*

L

m

3

(Hi-Hat) Tape 3

mix*

L

m

4

(Tom 1) Tape 4

mix*

L

m

5

(etc.) Tape 5

mix*

L

m

6

Tape 6

mix*

L

m

7

Tape 7

mix*

L

m

8

Tape 8

mix*

L

m

9

Tape 9

mix*

L

m

10

Tape 10

mix*

L

m

11

Tape 11

mix*

L

m

12

Lead Vocals Guide

mix*

M

m

13

Back Vocals Guide 1

mix*

M

m

14

Back Vocals Guide 2

mix*

M

m

15

Back Vocals Guide 3

mix*

M

m

16

Guitar Guide

1 (Track 9)

M

m

17

Brass Guide 1

2 & 3 (Tracks 10 & 11)

M

m

18

Brass Guide 2

2 & 3 (Tracks 10 & 11)

M

m

19

Brass Guide 3

2 & 3 (Tracks 10 & 11)

M

m

20

Brass Guide 4

2 & 3 (Tracks 10 & 11)

M

m

21

Sequence Guide 1

mix

L

m

22

Sequence Guide 2

mix

L

m

23

Effects 1

mix

L

m

24

Effects 2

mix

L

s

25/26

Tape Mon 1/2

mix

L

s

27/28

Tape Mon 3/4

mix

L

s

29/30

Tape Mon 5/6

mix

L

s

31/32

Tape Mon 7/8

mix

L

s

AuxRtn1

Tape Monitor 9/10

mix

L

s

AuxRtn2

Tape Monitor 11/12

mix

L

s

AuxRtn3

Tape Monitor 13/14

mix

L

s

AuxRtn4

Tape Monitor 15/16

mix

L

s

Outputs remain unchanged (temporary)

Tab. 10.4: SX3282 example: 16-track studio recording “overdubs”

The layout shown in tab. 10.4 corresponds to the music overdub situation once all 

bass & drum takes have been completed. We have re-patched tape tracks onto 

main channels. 
Remember to disconnect (from the wall boxes or desk XLR inputs) 

any microphones not in use. Otherwise the line inputs of channels 1-24 won’t 

work properly (live mics picking up extraneous noise etc.).
*: The temporary tape monitor returns become redundant as and when tape 

tracks are able to be patched into main channels. You could begin to spread 

your FX and sequenced music returns over these stereo channels as they 

become available.
At last it is time for vocal overdubs and touch-ups like percussion parts.
(Tab. 10.4): Once overdubbing is complete the subgroups may be used in mono 

(or stereo pairs) as an aid to mixdown, e.g. to control multiple backing vocals, 

or drum kit tracks such as tom-toms and overhead mics.

Set up the multitrack so that any track in “record ready” condition has its input 

monitored when the tape is stationary. Place all tracks to be recorded into “record 

ready” status (once a recording has been made, these tracks should automatically 

switch to tape playback).
Check that the input levels to each track are optimized before recording commences.