Roland XV-5080. Manual De Usuario

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Chapter 6 Creating Rhythm Sets
Setting up Individual Rhythm 
Tones
The parameters that can be set for each Rhythm Tone of the 
Rhythm Set are assigned to [F2]–[F5] as follows.
Setting Procedure:
1. Select the Rhythm Set you wish to set.
2. Press [F2]–[F5], whichever has the parameter you wish to 
set assigned to it, and select the display group.
With some display groups, you then press [F1]–[F4] to access 
the desired page.
3. Press Tone Select [1]–[4] to select the percussion 
instrument sound you wish to edit, according to the key 
that plays it.
TONE SELECT [1]:
 Selects the key one octave below the 
currently selected key.
TONE SELECT [2]:
 Selects the key a semitone below the 
currently selected key.
TONE SELECT [3]:
 Selects the key a semitone above the 
currently selected key.
TONE SELECT [4]:
 Selects the key one octave above the 
currently selected key.
* You can also press a key on a connected MIDI keyboard to 
* By holding down [SHIFT] and pressing [
], you can have 
the cursor jump to the number indicating the part in the upper 
left of the screen. Here, you can switch parts by turning the 
VALUE dial, or by pressing [INC] or [DEC].
4. Press [
]/[
]/[
]/[
] to move the cursor to 
the parameter you want to set.
5. Either turn the VALUE dial, or press [INC]/[DEC] to 
select the desired value.
* If you make a mistake when setting a parameter’s value, or you 
don’t like the change you have made, just press [UNDO] to 
restore the value the parameter originally had.
6. Repeat steps 2–5 to complete a Rhythm Set.
7. Press [EXIT] to return to the RHYTHM PLAY page.
A “*” symbol will appear at the left of the Rhythm Set name, 
indicating that its settings have been modified.
fig.06-003.e_70
* If you turn off the power or select another Rhythm Set while 
the “*” symbol is displayed, your new Rhythm Set settings 
will be lost. If you wish to keep these settings, perform the Save 
operation. (p. 194)
Tips for Selecting a Waveform
Because the XV-5080 is designed to create completely 
realistic sounds, the editing process depends heavily on the 
complex PCM waveforms upon which Tones are based. 
Therefore, if you try to create a sound that is totally different 
from the waveform(s) you’re working with, the desired 
result may be difficult or impossible to achieve.
The XV-5080’s internal waveforms fall into the following two 
groups.
One-shot:
 These waveforms contain sounds that have short 
decays. A one-shot waveform records the initial rise and fall 
of its sound. Some of the XV-5080’s one-shot waveforms are 
sounds that are complete in themselves, such as percussive 
instrument sounds. The XV-5080 also contains many other 
one-shot waveforms that are elements of other sounds. These 
include attack components such as piano-hammer sounds 
and guitar fret noises.
Looped:
 These waveforms include sounds with long decays 
as well as sustained sounds. With looped waveforms, the 
latter part of the sound plays over and over for as long as the 
note is held, allowing wave memory to be used more 
efficiently. The XV-5080’s looped waveforms also include 
components of other sounds, such as piano-string resonant 
[F2 (Key WG)]
[F1 (WG Prm)] Selecting waveforms, FXM, Pan, or 
Tuning (p. 171)
[F3 (Key TVF)]
[F1 (TVF Prm)] modifies the brightness using the filter 
(p. 175)
[F4 (Key TVA)]
[F5 (Key Ctl)]