Behringer V-AMP 3 Folleto

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Delayed and filtered repetition of  

 

the input signal. 

Delays the input signal, with different  

 

tempo settings emulating an early  

 

reflections room effect on the repetitions  

 

producing an echo-like effect. 

A delay effect that alternates between the  

 

left and right channel/speaker. 

A second, phase-shifted signal is  

 

added to the audio signal, creating a  

 

wave-like effect.

Similar to a phaser in the fact that it  

 

produces wave-like modulation to the  

 

guitar tone. 

Adds a slightly modulated off-key element  

 

to the original signal.

Phaser and delay combined. 

Combines flanger and delay. 

Combines signal delay with chorus.

Limits the dynamic range of the audio  

 

material, increasing sustain and giving  

 

notes a crisper quality.

Combines chorus and compression.

Alters a filter frequency automatically  

 

depending on the signal’s magnitude,  

 

giving notes a vowel sound-like quality.

Volume is continuously modulated up and  

 

down to an adjustable tempo. 

Simulation of the classic organ effect  

 

normally produced by speakers rotating at  

 

slow or fast speed inside a speaker cabinet. 

Removes or reduces noise or other  

 

interference by muting the signal  

 

during breaks.

1

Tiny Room

Classic room simulation featuring 

various room sizes from bathroom 

to cathedral

2

Small Room

3

Medium Room/

Large Room

4

Ultra Room

Special effect transforming guitar 

signals into heavenly pad sounds

5

Small Spring

Simulations of typical spring reverbs

6

Medium Spring

7

Short Ambience

Simulates the early reflections of a 

reverbless room

8

Long Ambience

Tube amps add warmth to all kinds  

 

of sounds. By default, this amp model  

 

does not use a speaker simulation, and  

 

can be used with vocals, but adding a  

 

speaker cab produces good clean tones.

Based on a small, simple amp originally  

 

made for beginners, but it’s no  

 

“Tender Chump!” With plenty of gain,  

 

it rewards you with compression and  

 

rich distortion. 

Shake it up with this model—ideal  

 

for the New Wave sound of the 80s that  

 

is making a comeback today. 

A close cousin of the SMALL COMBO  

 

model, this super-simplified model will  

 

toughen up your tone blow by blow!

This model gives you the squeaky cleans  

 

of the CLASSIC CLEAN, but with the  

 

cutting power of one of the most  

 

famous British amps of all time.  

 

You’ll believe in miracles when you hear  

 

this “plexi” thing.

CALIFORNIA CLEAN  Based on the clean channel of a certain  

 

amp sharing a name with a big,  

 

flat southwestern land form. 

Modeled after a famous 1960s 2x12  

 

combo amp that was exceptionally loud  

 

with low distortion. 

Simulation of the clean channel from  

 

a very expensive boutique amp whose  

 

name rhymes with “stumble”.  

 

Loves compression.

Based on a timeless 60s 4x10 combo  

 

originally intended as a bass amp but  

 

embraced by electric blues rockers.

Not based on an amp, but a distortion  

 

box that debuted in the 60s and  

 

provided “big fuzz” for 90s  

 

grunge bands.

A synthesis of the AMERICAN and the  

 

BLACK TWIN, giving you a greater  

 

EQ range.

This simulation is based on a more  

 

modern high-gain lead amp that’ll  

 

make you wanna boogie. This produces  

 

a smooth and precise tone with plenty  

 

of drive, making it ideal for lead  

 

guitar work. 

Based on an amp that was considered  

 

the “cream” of the crop in the  

 

psychedelic 60s. Try it with a 2 x 12"  

 

speaker simulation.

Ideal for modern blues or jazz. Its sound  

 

is subtle, but crunchy and dynamic. 

Like the BRIT BLUES, but capable of a  

 

thick boutique distortion tone when the  

 

GAIN is cranked!

50 W blues breaker sibling of our Brit  

 

Classic model with extensively widened  

 

sound range. 

Based on a 90s amp also bearing that  

 

big, flat southwestern name, featuring a  

 

post-gain tone control for  

 

ultra-customized distortion.

Much like the NUMETAL GAIN, this amp  

 

produces an even higher gain sound.  

 

The tone controls are most effective  

 

with the gain knob cranked. 

Half-English, so to speak, this model has  

 

extreme power and is therefore highly  

 

popular with heavy metal guitarists. 

Based on a variation of the BRIT BLUES,  

 

modified by a famous eruption-inducing  

 

guitarist’s technician. Great midrange  

 

without the mud!

Modeled after a big, bad stacked British  

 

amp renowned for its distorted sounds,  

 

but also great on low-gain settings.

Another model with post-gain EQ,  

 

this amp can easily go from fuzzed-out  

 

grunge to laser-guided shredding.

New, aggressive, in-your-face hi-gain  

 

sound similar to the crunch channel of  

 

the BUGERA 333XL. Excellent for  

 

detuned, palm-muted, fast rhythm  

 

guitar riffs.

Those who find the ULTRAZONIC too  

 

tame will find enough gain here for an  

 

overdose, and nearly endless sustain. 

Stands out for its extremely dynamic  

 

rock sound, dishing out fat clean tone  

 

as well as solid crunch. Here both  

 

input channels are bridged for  

 

parallel operation.

Simulation of an iconic double-wide  

 

British amp that helped a quartet of  

 

longhairs cause mass panic in the 1960s. 

Modeled after a custom high-watt amp  

 

that’ll have your audience wondering,  

 

“How do you think he does it?” 

Simulates an amp sharing a name with  

 

an obese Asian deity. Renowned for  

 

its warm sound combined with  

 

irresistible tube distortion. Although  

 

the original amp does not have a mid  

 

control, we have given the capability of  

 

suiting the midrange to your taste. 

Based on an amp that brings  

 

citrus-laden goodness to mind.  

 

Perfect for vintage distortion freaks.  

 

If you crank the gain, the preamp tone  

 

controls greatly influence the sound.

This amp is characterized by its mild  

 

distortion and sounds almost like hi-fi.  

 

If there’s any match for this amp, we  

 

ain’t found it! 

Based on the second channel of our  

 

59SL amp model, this one provides a  

 

slightly darker range of clean and  

 

crunch sounds. 

Unlike the BRIT CLASS A, this amp had  

15 W 

only one 12" speaker and produced a  

 

warmer sound. Tip: to make this  

 

simulation sound as authentic as  

 

possible, leave the BASS and MID  

 

controls in middle position and adjust  

 

the TREBLE control only. 

In this setting, no amp simulation is  

 

selected. This makes it possible,  

 

for example, to play through an  

 

external guitar preamp and only use  

 

the effects or the speaker simulation.  

 

To activate the PREAMP BYPASS,  

 

press TAP and TUNER simultaneously.