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Yamaha P-120 Guía Del Usuario

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MIDI Data Format/MIDI-Datenformat/ Format des données MIDI/Formato de datos MIDI
51
P-120/P-120S
175
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
• When program change reception is turned OFF in the Function  
mode, no program change data is transmitted or received. 
Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
• Caution: If an error occurs during MIDI reception, the Damper, Sos-
tenuto, and Soft effects for all channels are turned off and an All 
Note Off occurs.
6. SYSTEM EXCLUSIVE MESSAGES 
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> 
[F7H]
F0H, 43H, 0nH, 7CH
(n: channel number)
00H, 2DH
(data length)
43H, 4CH, 20H, 20H
(CL)
43H, 4CH, 50H, 27H, 30H, 31H (CLP01)
30H, 30H
(version x, y)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
• Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES 
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> 
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume only 
has affect on the MIDI receive channel, not the panel master vol-
ume.
F0H
= Exclusive status
7FH
= Universal Realtime
7FH
= ID of target device
04H
= Sub-ID #1=Device Control Message
01H
= Sub-ID #2=Master Volume
ll
H
= Volume LSB
mmH = Volume MSB
F7H
= End of Exclusive
       or
F0H
= Exclusive status
7FH
= Universal Realtime
XnH
= When n is received n=0~F, whichever is received.
   X = don’t care
04H
= Sub-ID #1=Device Control Message
01H
= Sub-ID #2=Master Volume
ll
H
= Volume LSB
mmH = Volume MSB
F7H
= End of Exclusive
Voice Name
MSB
LSB
P.C.#
GRAND PIANO 1
VARIATION
0
112
0
0
113
0
GRAND PIANO 2
VARIATION
0
112
1
0
113
1
E.PIANO 1
VARIATION
0
112
5
0
112
88
E.PIANO 2
VARIATION
0
112
4
0
113
4
HARPSICHORD
VARIATION
0
112
6
0
113
6
E.CLAVICHORD
VARIATION
0
112
7
0
113
7
VIBRAPHONE
VARIATION
0
112
11
0
113
11
CHURCH ORGAN
VARIATION
0
112
19
0
113
19
JAZZ ORGAN
VARIATION
0
112
16
0
113
16
STRINGS
VARIATION
0
112
48
0
113
48
CHOIR
VARIATION
0
112
52
0
113
52
GUITAR
VARIATION
0
112
24
0
113
24
WOOD BASS
VARIATION
0
112
32
0
113
32
E.BASS
VARIATION
0
112
33
0
113
33
Data
Transmission
Reception
F8H
Transmitted every 
96 clocks
Received as 96-clock tempo timing 
when MIDI clock is set to External
FAH
Recorder start
Recorder start
Not received when the MIDI clock 
is set to Internal.
FCH
Recorder stop
Recorder stop
Not received when the MIDI clock 
is set to Internal.
FEH
Transmitted every 
200 milliseconds
If a signal is not received via MIDI for more 
than 400 milliseconds, the same process-
ing will take place for  All Sound Off, All 
Notes Off and Reset All Controllers as 
when those signals are received.
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) AUX Pedal Mode
(20) Reverb Type 1
(21) Reverb Type 2
(22) Reverb Depth 1
(23) Reverb Depth 2
(24) Effect Type 1
(25) Effect Type 2
(26) Effect Depth
(27) Variation On/Off
(28) Touch Sensitivity
(29) Fixed Data
(30) AUX Pedal
(31) Soft Pedal Depth
(32) Absolute tempo low byte
(33) Absolute tempo high byte