Digidesign 2 Manual De Usuario
Getting Started with Digi 002
74
Playlists and Non-Destructive Editing
Playlists let you create and retrieve multiple ver-
sions of track edits. A playlist can be a complete
take, an overdub, or an arrangement of selec-
tions from multiple takes. You can duplicate
playlists to save edits in their current state, then
continue making additional edits to the new
playlist knowing you can always go back to the
previous version. The following example dem-
onstrates how you can use playlists to create dif-
ferent versions of track edits.
sions of track edits. A playlist can be a complete
take, an overdub, or an arrangement of selec-
tions from multiple takes. You can duplicate
playlists to save edits in their current state, then
continue making additional edits to the new
playlist knowing you can always go back to the
previous version. The following example dem-
onstrates how you can use playlists to create dif-
ferent versions of track edits.
To create multiple playlists for editing:
1
Start with a track on which you want to try
different edits.
2
From the Playlist Selector pop-up menu,
choose Duplicate.
3
Name the duplicated playlist and click OK.
4
Make your first series of edits as desired.
5
Return to the original playlist by selecting it
from the Playlist Selector pop-up menu.
6
Repeat steps 2–5 as desired.
In this fashion, you can try out different edits of
a track, and switch back and forth between play-
lists for comparison.
a track, and switch back and forth between play-
lists for comparison.
Mixing
Pro Tools LE provides many familiar channel
strip controls for setting track level, pan, solo,
and mute (see Figure 7 on page 61). You can also
automate your mix or use a MIDI control surface
to “play” your mix in real-time. Once you have
finished preparing your mix, you will probably
want to mixdown to a stereo recording. For ex-
ample, you can record your mix to an external
analog or digital deck (such as a cassette or
DAT), or you can “bounce” your mix to a stereo
file so you can burn it to CD.
strip controls for setting track level, pan, solo,
and mute (see Figure 7 on page 61). You can also
automate your mix or use a MIDI control surface
to “play” your mix in real-time. Once you have
finished preparing your mix, you will probably
want to mixdown to a stereo recording. For ex-
ample, you can record your mix to an external
analog or digital deck (such as a cassette or
DAT), or you can “bounce” your mix to a stereo
file so you can burn it to CD.
Mixer and I/O controls for signal routing can be
shown in both the Mix and Edit windows. Mix-
ing is done primarily in the Mix window.
shown in both the Mix and Edit windows. Mix-
ing is done primarily in the Mix window.
To view the Mix window:
■
Select Windows > Show Mix.
Using Channel Strip Controls
Volume
Increase or decrease the track level by
clicking the Volume fader and dragging it up or
down.
down.
Pan
Pan a track left or right in the mix by click-
ing the Pan slider and dragging it left or right.
Solo
Solo a track (muting all other tracks) by
clicking the Solo button.
Mute
Mute a track by clicking the Mute button.
Duplicating a playlist
Press Command+”=” on Macintosh, or
Ctrl+”=” on Windows, to quickly switch
between the Edit and Mix windows.
Ctrl+”=” on Windows, to quickly switch
between the Edit and Mix windows.