Behringer X32 DIGITAL MIXER Manual De Usuario

X32 DIGITAL MIXER Preliminary User Manual

“View” Based Screens
The screens described in the following sections are all “View” based screens. 

They are navigated to by pressing the “View” button in various sections of the 

console top panel.

The monitor screen is selected by pressing the “View” button of the top panel’s 

monitor section, as well as the “View” button of the top panel’s talkback section. 

The screen controls various aspects of the console’s solo bus, control room 

outputs, and talkback section. 
The monitor/talkback screen contains the following separate tabs:
Monitor: This screen controls various solo options, dimming, speaker delay, 

and sources for the control room output. 
Talkback A: This screen controls various adjustments for the talkback A path 

of console.
Talkback B: This screen controls various adjustments for the talkback B path 

of console.
Oscillator: This screen offers various controls for the onboard oscillator and how 

it is routed throughout the console.

7.10.1  Monitor/Talkback Screen: Monitor Tab: 
The monitor tab controls various console options related to the solo bus, as well 

as the console’s control room outputs. These options include various solo 

settings, speaker dimming, speaker delay, and selection of sources for the control 

room output.
To adjust the various settings on the monitor tab, perform the following steps:
1.  Adjust the 1st encoder to change the gain of the monitor signal. This digital 

gain stage occurs as a first preliminary level control, before the top panel’s 

analog-based monitor level control. A display above the encoder shows the 

currently set gain value in dB.

A multi-segment level meter is displayed on the color screen to allow for 

proper gain staging of the monitor signal.

2.  Adjust the 2nd encoder to scroll through the various solo methods 

available to the console when audio is routed to the solo bus. 

Available options include:

Exclusive (Last): In this mode, pressing another solo button disengages 

the previous solo.

Solo Follows Select: When this method is selected, the audio of the 

currently selected channel will automatically be sent to the solo bus. 

Since a user will often select a channel to adjust its dedicated DSP 

controls, this method is useful because the audio of the channel will 

now already be feeding the solo bus where it can be monitored with 

headphones in a live sound environment.  

Select Follows Solo: When this method is selected, any channel that is 

soloed will automatically become the currently selected channel. 

Channel Solo AFL: With this method, the channel and select button do 

not have any correlation to each other. When a channel’s solo button 

is pressed, its audio is sent to the solo bus in “after-fader listen” mode, 

reflecting the current level of the channel fader and any channel DSP 

that has been applied.

Mix Bus AFL/PFL: This toggles the AFL/PFL setting for the mix 

buses when they are soloed (as opposed to the soloing of a single 

input channel).  

DCA Group AFL: This puts the contents of a soloed DCA group into after-

fader listen mode when the solo button is pressed on a DCA channel. 

Use Master Fader: This allows the Main Fader/mute button to control the 

solo/mon output. 

3.  Tap the 2nd encoder to select and assign the currently chosen solo option.
4.  Adjust the 3rd encoder to adjust the amount of digital delay that is applied to 

the control room signal path. The display on the screen will show the current 

amount of delay in feet, meters, and milliseconds.

5.  Tap the 3rd encoder to toggle the delay function on/off.
TIP: The delay function is useful for aligning the sound of audio monitored 

through headphones or speakers used at the Front-of-House position with audio 

that is coming from the stage location. 
By delaying the control room audio, it can be brought into alignment with 

the slightly delayed audio that has to travel from the stage to the Front of 

House position. 
6.  Adjust the 4th encoder to set the amount of volume reduction that occurs 

when the control room bus has its “dim” function enabled. The amount of 

volume reduction ranges from -40 dB to 0 dB (no change).

7.  Tap the 4th encoder to toggle the dim function on/off.
8.  Adjust the 5th encoder to adjust the volume trim for the source currently 

feeding the control room bus, allowing it to be level/matched with other 

sources. The amount of trim can be adjusted from -20 dB to +20 dB.

9.  Tap the 5th encoder to toggle the control room between mono and stereo 

operation. This is very useful in a studio context for checking how a mix 

sounds when played back on a mono speaker such as a clock radio.

10.  Adjust the 6th encoder to select what specific signal source to monitor in the 

control room bus. Choices include:

Off (No source)

LR Bus

LR + C/M

LR PFL (pre-fader listen solo bus)

LR AFL (after-fader listen solo bus)

Auxiliary returns 5/6

Auxiliary returns 7/8

11.  Tap the 6th encoder to activate the signal source that has been chosen.