Waves Doubler Manuel D’Utilisation
Waves Doubler software guide page 5 of 6
F
REQUENCY
: Low Shelf Cutoff 16Hz to 1600Hz. Default: 156Hz.
Hi Shelf 1000Hz to 21000Hz Default: 5990Hz.
Master controls include:
Master controls include:
A
LIGN
D
IRECT
: On/Off. Default: Off.
When set to On, this control delays the direct signal in order to align it to the
Voices’ inherent latency. With the Align On, you can reach a relative delay of
0ms between the direct signal and the Voices. The Voices’ inherent latency
depends on the range: at 80Hz, the Voices’ inherent latency will be 7ms and
at 20Hz, it will be 24ms. When the Align direct is Off, the plug-in will not add
delay to the direct so it will be aligned with the Track’s original time, and the
minimum relative delay between the Voices and the direct is limited to the
Voices’ inherent delay.
H
Voices’ inherent latency. With the Align On, you can reach a relative delay of
0ms between the direct signal and the Voices. The Voices’ inherent latency
depends on the range: at 80Hz, the Voices’ inherent latency will be 7ms and
at 20Hz, it will be 24ms. When the Align direct is Off, the plug-in will not add
delay to the direct so it will be aligned with the Track’s original time, and the
minimum relative delay between the Voices and the direct is limited to the
Voices’ inherent delay.
H
I
P
ASS
F
EEDBACK
: 16Hz to 12000Hz. Default: 16Hz.
Sets the Feedback’s Hi Pass filter cutoff frequency.
R
R
ANGE
: 80Hz/20Hz Default: 20Hz.
Detuning lower frequencies requires higher inherent latency for the Voices.
The Range control specifies the lowest frequency that can be detuned with no
artifacts, and at the same time sets the lowest inherent latency for the voices.
Lower Range means higher latency.
If low latency is not a concern it is safer to work with the wider Range, down to
20Hz (latency is 24ms). When low latency is a concern, and the input signal
consists of frequencies above 80Hz (such as guitars and lead vocals), set the
Range to 80Hz, and the inherent latency will likewise be smaller. 20Hz Range
should be used for Doubling bass instruments and will perform more purely on
complex full range signals such as mixed sources.
M
The Range control specifies the lowest frequency that can be detuned with no
artifacts, and at the same time sets the lowest inherent latency for the voices.
Lower Range means higher latency.
If low latency is not a concern it is safer to work with the wider Range, down to
20Hz (latency is 24ms). When low latency is a concern, and the input signal
consists of frequencies above 80Hz (such as guitars and lead vocals), set the
Range to 80Hz, and the inherent latency will likewise be smaller. 20Hz Range
should be used for Doubling bass instruments and will perform more purely on
complex full range signals such as mixed sources.
M
ODULATION RESET
.
Sometimes interesting sounds can be achieved by synchronized modulations,
but when you have to set the rate and depth individually, they will definitely go
out of sync. Click the Mod Reset to make them start together in perfect sync.
This control is also automateable and can be used to reset the modulators to
start at the exact position in selected cues of your session so they sound the
same each time.
but when you have to set the rate and depth individually, they will definitely go
out of sync. Click the Mod Reset to make them start together in perfect sync.
This control is also automateable and can be used to reset the modulators to
start at the exact position in selected cues of your session so they sound the
same each time.