Manuels d'utilisation pour Behringer MDX4400

Table des matières

• 1. INTRODUCTION

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• 1.1 Technical Background

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• 1.1.1 Noise As A Physical Phenomenon

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• 1.1.2 What Are Audio Dynamics?

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• 1.1.3 Compressors/Limiters

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• 2. THE DESIGN CONCEPT

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• 2.1 High Quality Components And Design

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• 2.2 Inputs And Outputs

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• 2.2.1 Balanced Inputs And Outputs

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• 3. INSTALLATION

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• Rack Mounting

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• Mains Voltage

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• Audio Connections

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• Selecting The Operating Level

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• 4. CONTROLS

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• 4.1 The Front Panel Control Elements

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• 4.4 Rear Panel Control Elements Of The MULTICOM PRO

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• 5. APPLICATIONS

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• 5.1 Compression/Leveling/Limiting/Clipping

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• 5.2 Compressor Section

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• 5.2.1 Initial Settings For The Compressor Section

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• 5.2.2 The MULTICOM PRO As A Sound Effects Unit

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• 5.2.3 The “Muffling” Effect Of A Compressor

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• 5.3 Peak Limiter Section

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• 5.3.1 Initial Settings For The Peak Limiter Section

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• 6. SPECIAL APPLICATIONS

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• 6.1 Using The MULTICOM PRO For Recording And Cassette Duplication

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• 6.1.1 The MULTICOM PRO In Digital Recording And Sampling

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• 6.1.2 The MULTICOM PRO In Mastering

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• 6.2 The MULTICOM PRO as a protective device

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• 6.2.1 Protection Of A System With A Passive Crossover

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• 6.2.2 Protection Of A System With An Active Crossover

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• 6.2.3 Improving The Sound Of A Processor System

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• 6.3 The MULTICOM PRO In Broadcast

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• 7. SPECIFICATIONS

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• 8. WARRANTY

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