Manuali utente per Behringer MDX4400

Sommario

• 1. INTRODUCTION

  6
• 1.1 Technical Background

  7
• 1.1.1 Noise As A Physical Phenomenon

  7
• 1.1.2 What Are Audio Dynamics?

  7
• 1.1.3 Compressors/Limiters

  9
• 2. THE DESIGN CONCEPT

  10
• 2.1 High Quality Components And Design

  10
• 2.2 Inputs And Outputs

  10
• 2.2.1 Balanced Inputs And Outputs

  10
• 3. INSTALLATION

  11
• Rack Mounting

  11
• Mains Voltage

  11
• Audio Connections

  11
• Selecting The Operating Level

  12
• 4. CONTROLS

  13
• 4.1 The Front Panel Control Elements

  13
• 4.4 Rear Panel Control Elements Of The MULTICOM PRO

  15
• 5. APPLICATIONS

  16
• 5.1 Compression/Leveling/Limiting/Clipping

  16
• 5.2 Compressor Section

  17
• 5.2.1 Initial Settings For The Compressor Section

  18
• 5.2.2 The MULTICOM PRO As A Sound Effects Unit

  18
• 5.2.3 The “Muffling” Effect Of A Compressor

  18
• 5.3 Peak Limiter Section

  19
• 5.3.1 Initial Settings For The Peak Limiter Section

  19
• 6. SPECIAL APPLICATIONS

  20
• 6.1 Using The MULTICOM PRO For Recording And Cassette Duplication

  20
• 6.1.1 The MULTICOM PRO In Digital Recording And Sampling

  20
• 6.1.2 The MULTICOM PRO In Mastering

  20
• 6.2 The MULTICOM PRO as a protective device

  20
• 6.2.1 Protection Of A System With A Passive Crossover

  21
• 6.2.2 Protection Of A System With An Active Crossover

  21
• 6.2.3 Improving The Sound Of A Processor System

  21
• 6.3 The MULTICOM PRO In Broadcast

  22
• 7. SPECIFICATIONS

  23
• 8. WARRANTY

  25