Stanton SA-12 Manuale Utente
lock will keep it there even if the OS2 is
moved.
18. Effects: Used to select an effect.
Effects included on the MOD1are
18. Effects: Used to select an effect.
Effects included on the MOD1are
Echo, Flanger, and Pitch Shifter.
19. Parameter : Controls the effect
parameters. for Echo and Flanger, the
speed and depth parameters are
parameters. for Echo and Flanger, the
speed and depth parameters are
mixed for easy control (and cool
effect). The Pitch shifter only has one
parameter.
20. Mix: Controls the dry/wet signal(dry
parameter.
20. Mix: Controls the dry/wet signal(dry
= original signal, wet = processed sig-
nal). In the center position, the signal
nal). In the center position, the signal
includes an exact 50/50 combination of
both signals. Turning the knob to “wet”
will have only the processed signal,
both signals. Turning the knob to “wet”
will have only the processed signal,
without the original signal.
21. Output Trim: Blue LED indicates
whether mixer is ON or OFF.
whether mixer is ON or OFF.
22. Power switch: Selects power "ON"
or "OFF".
23. AC IN: Input connection for the
included power supply.
24. Balanced Master output: TRS
balanced (1/4”) connectors are typical -
ly used to connect to a P.A. mixer or an
balanced (1/4”) connectors are typical -
ly used to connect to a P.A. mixer or an
amplifier for live performances or a
recording console for recording.
recording console for recording.
25. Unbalanced Master output: RCA
connectors are typically used to con -
connectors are typically used to con -
nect to a home stereo or to another
mixer with RCA inputs for practicing or
mixer with RCA inputs for practicing or
team routines. Several SA-12’s, can be
daisy chained from this output via the
Line 3 input (28).
daisy chained from this output via the
Line 3 input (28).
26. REC: The record output is not
affected by the Master volume control.
It can be used to record even while the
It can be used to record even while the
master volume is off.
27. Inputs: Line and phono signal
inputs for channels 1 and 2.
27. Inputs: Line and phono signal
inputs for channels 1 and 2.
28. Line3 Input: This extra line level
input can be selected with the Mic/Line
switch (29) and can be used as an
extra line input or as a session input for
switch (29) and can be used as an
extra line input or as a session input for
team routines.
29. Mic/Line3 switch: Used to assign
the Mic/Line3 channel to either the Mic
input or the Line3 input.
the Mic/Line3 channel to either the Mic
input or the Line3 input.
30. Microphone input: 1/4” connector
31. FX ON/OFF output: 1/4” connec -
tor, Used to connect a foot pedal to turn
the MOD1 effects on or off.
tor, Used to connect a foot pedal to turn
the MOD1 effects on or off.
32. Ground connector: Connects to
the turntable ground connector to elim -
inate electrical hum. Ground connec -
tors usually supplied with turntables
inate electrical hum. Ground connec -
tors usually supplied with turntables
33. Mono/Stereo: Switches the mixer
DESCRIPTION OF FUNCTIONS
PostScript Picture
MOD-1_callouts.eps
MOD-1_callouts.eps
MOD1 - REMOVABLE EFFECTS MODULE
FRONT & BACK PANELS
PostScript Picture
BASE_callouts.eps
BASE_callouts.eps
output from stereo to mono (use it in
case a channel fails on the power amp,
cartridge, etc. it can be very useful
cartridge, etc. it can be very useful
live).
34. Input Fader Curve Adjustment:
Adjusts the curve of the input faders
34. Input Fader Curve Adjustment:
Adjusts the curve of the input faders
between quick (6dB), normal (20dB),
or long (30dB) fade.
or long (30dB) fade.
35. Input Fader Reverse: Reverses
the direction of each respective input
channel fader. Includes bi-color LED to
indicate the status of the reverse func -
tion. When LED is green, the fader is
tion. When LED is green, the fader is
normal. When LED is red, the fader
direction is reversed.
direction is reversed.
36. Crossfader Curve adjustment :
Adjusts the shape of the crossfader
Adjusts the shape of the crossfader
curve from a quick cut for scratching
and cutting to a longer fade for mixing.
and cutting to a longer fade for mixing.
37. Crossfader Reverse: Reverses
FRONT & BACK PANELS (CONT’D)