Access virus os4 Manuale Utente
ACCESS VIRUS OS4
129
Assign
PUNCH INTENSITY Here you can
influence the attack of the ampli-
fier envelope to enhance the
sound with a more percussive,
snappy kind of feel. You may have
guessed that PUNCH INTENSITY
determines the intensity of this
effect. PUNCH is only effective
when you have dialed in fairly
short ATTACK rates for the ampli-
fier envelope.
influence the attack of the ampli-
fier envelope to enhance the
sound with a more percussive,
snappy kind of feel. You may have
guessed that PUNCH INTENSITY
determines the intensity of this
effect. PUNCH is only effective
when you have dialed in fairly
short ATTACK rates for the ampli-
fier envelope.
01111111111111111112
1 PUNCH
Intensity 64≤
Intensity 64≤
61111111111111111154
ASSIGN
The three ASSIGN options let you
control up to six modulation desti-
nations via up to three modulation
sources. Simply go to ASSIGN,
select one of the modulation
sources (SOURCE) and one or sev-
eral modulation destinations (DES-
TINATION). Each of these
configurations features a parame-
ter that determines modulation
intensity (AMOUNT). ASSIGN 1 can
control one modulation destina-
tion, ASSIGN 2 can control two and
ASSIGN 3 can control three modu-
lation destinations, each with
independent AMOUNTs.
control up to six modulation desti-
nations via up to three modulation
sources. Simply go to ASSIGN,
select one of the modulation
sources (SOURCE) and one or sev-
eral modulation destinations (DES-
TINATION). Each of these
configurations features a parame-
ter that determines modulation
intensity (AMOUNT). ASSIGN 1 can
control one modulation destina-
tion, ASSIGN 2 can control two and
ASSIGN 3 can control three modu-
lation destinations, each with
independent AMOUNTs.
For your SOURCEs, you have two
different types of modulation
sources to chose from. The first
type comprises external MIDI con-
trollers such as the modulation
wheel or breath controller. We call
these ”performance controllers” to
distinguish them from sound
parameters such as CUTOFF and
REVERB that may also be accessed
directly via MIDI controllers.
(Although strictly speaking, they’re
on-board devices, the modulation
wheels of the Virus kb and Virus
different types of modulation
sources to chose from. The first
type comprises external MIDI con-
trollers such as the modulation
wheel or breath controller. We call
these ”performance controllers” to
distinguish them from sound
parameters such as CUTOFF and
REVERB that may also be accessed
directly via MIDI controllers.
(Although strictly speaking, they’re
on-board devices, the modulation
wheels of the Virus kb and Virus