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130
CHAPTER
14
The Parameters
indigo are also considered to be
external MIDI controllers since
they are not actually component
parts of the sound generation sys-
tem).
external MIDI controllers since
they are not actually component
parts of the sound generation sys-
tem).
The second type comprises the
sound generation system’s internal
modulators, for example, LFOs and
envelopes. These also have fixed
modulation assignments (LFO
AMOUNT, ENV AMOUNT), but are
freely available along with the
Modulation Matrix.
sound generation system’s internal
modulators, for example, LFOs and
envelopes. These also have fixed
modulation assignments (LFO
AMOUNT, ENV AMOUNT), but are
freely available along with the
Modulation Matrix.
Let’s take a look at the internal
modulation sources:
modulation sources:
AMPENV & FILTENV The corre-
sponding envelope is the modula-
tion source.
tion source.
LFO1, LFO2, LFO3 The corre-
sponding LFO is the modulation
source.
source.
VELOON The note on velocity is
the modulation source.
VELOOFF The note off velocity
is the modulation source. Accord-
ing to the fact, that the note off
velocity is only known when the
key is released again, here, the
ing to the fact, that the note off
velocity is only known when the
key is released again, here, the
VIRUS uses the note on velocity,
when the key is held. Therefore
both, note on- and off velocities,
are active here.
when the key is held. Therefore
both, note on- and off velocities,
are active here.
KEYFLW The note number
respectively the pitch is used as
the modulation source (Keyfollow)
the modulation source (Keyfollow)
RANDOM A random number
which remains for the whole dura-
tion of the note on, is used as
the modulation source here.
The control range of the source
may be limited via the AMOUNT
values or inverted so that the mod-
ulation occurs strictly within the
desired value range for the target
parameter. For your target param-
eters, you can chose from among
virtually all sound parameters that
feature an infinitely variable con-
trol range – ergo, you have more
than 100 modulation destinations
at your disposal.
tion of the note on, is used as
the modulation source here.
The control range of the source
may be limited via the AMOUNT
values or inverted so that the mod-
ulation occurs strictly within the
desired value range for the target
parameter. For your target param-
eters, you can chose from among
virtually all sound parameters that
feature an infinitely variable con-
trol range – ergo, you have more
than 100 modulation destinations
at your disposal.
If you haven’t selected a source for
one of the ASSIGN options
(SOURCE = OFF), the subordinate
parameters will not be displayed.
one of the ASSIGN options
(SOURCE = OFF), the subordinate
parameters will not be displayed.