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ACCESS VIRUS OS4
163
Delay/Reverb
above to dial in the desired pre-
delay for room simulations. The 
DELAY effect is located prior to the 
room simulation in the signal path. 
Delay time and feedback are infi-
nitely variable and may be synced 
up to the global clock generator. 
This means that you can create 
REVERB effects that are a perfect 
match for the rhythmic context.
In PARAMETER mode, you can 
select various DELAY and REVERB 
algorithms. Some of the REVERB 
algorithms work with parameters 
that the DELAY algorithms do not 
use and vice versa, so we’ll look at 
these special parameters in a sepa-
rate section.
In SINGLE MODE, all Delay or 
Reverb settings apply to the SIN-
GLE PROGRAM in the conventional 
manner and are stored along with 
the program.
However in MULTI MODE, all 16 
PARTs access the same Delay or 
Reverb effect. In this case, the only 
dedicated parameter you have 
available for each part is EFFECT 
SEND; all other parameters apply 
to the same Delay/Reverb unit and 
affect all PARTs. 
Consequently, if you set the Virus 
to MULTI MODE or MULTI SINGLE 
MODE, all settings you dial in for 
the Delay or Reverb (including 
EFFECT SEND) affect the MULTI 
PROGRAM and are stored along 
with it. If the Virus is in MULTI 
MODE or MULTI SINGLE MODE and 
you activate a new SINGLE, the 
Delay/Reverb parameters of the 
SINGLE are ignored and the Delay/
Reverb parameters of the current 
MULTI PROGRAM are activate.
As a rule, in MULTI MODE all SIN-
GLE settings pertaining to the 
Delay/Reverb are ignored,  with 
the exception of EFFECT SEND.
EFFECT SEND
The level at which the given sound 
is patched to the DELAY or REVERB 
effect is adjusted here.
EFFECT SEND is identical to a post-
fader effect bus on a mixing con-
sole. When you move the control 
toward the end of its control 
range, the dry signal is faded out 
and only the wet DELAY/REVERB 
signal is audible.