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ACCESS VIRUS OS4
165
Delay/Reverb
ter clock. For this reason, you won’t
find DELAY Time or DELAY Clock
parameters here. Consequently,
the absolute delay times are deter-
mined by the tempo of the global
clock generator (CLOCK SPEED) or
by the song tempo dictated by a
connected sequencer that is send-
ing a clock signal. The two num-
bers represent sixteenth note
increments and indicate the delay
for the left and right side on the
basis of sixteenth notes. Used in
conjunction with the FEEDBACK
parameter, these “groove” algo-
rithms create interesting rhythmic
patterns and accents when you
patch in appropriately rhythmic
signals, for example arpeggios.
find DELAY Time or DELAY Clock
parameters here. Consequently,
the absolute delay times are deter-
mined by the tempo of the global
clock generator (CLOCK SPEED) or
by the song tempo dictated by a
connected sequencer that is send-
ing a clock signal. The two num-
bers represent sixteenth note
increments and indicate the delay
for the left and right side on the
basis of sixteenth notes. Used in
conjunction with the FEEDBACK
parameter, these “groove” algo-
rithms create interesting rhythmic
patterns and accents when you
patch in appropriately rhythmic
signals, for example arpeggios.
The unique sonic character of the
PATTERN delay algorithms is due to
- among other things - odd time
signatures (based on sixteenth-
note values). Each delay algorithm
puts at least one of these options
PATTERN delay algorithms is due to
- among other things - odd time
signatures (based on sixteenth-
note values). Each delay algorithm
puts at least one of these options
at your disposal. Feedback is
always generated via the left delay
tap.
always generated via the left delay
tap.
01111111111111111112
1 DELAY/REVERB
MODE REVERB≤
MODE REVERB≤
61111111111111111154
The following parameters will only
appear in the display when you’re
working with DELAY algorithms.
appear in the display when you’re
working with DELAY algorithms.
DELAY TIME
This is the absolute delay time of
the delay effect in milliseconds
(ms). Use it to determine the inter-
val between each repetition up to
a maximum delay time of 693 ms.
Delay time is infinitely variable.
Changing the delay time bends the
pitch of the delay signal. The
DELAY TIME parameter will not
appear in the display when delay
time is determined by the DELAY
CLOCK (see below). If the PATTERN
delay is activated, neither the
DELAY TIME nor the DELAY CLOCK
the delay effect in milliseconds
(ms). Use it to determine the inter-
val between each repetition up to
a maximum delay time of 693 ms.
Delay time is infinitely variable.
Changing the delay time bends the
pitch of the delay signal. The
DELAY TIME parameter will not
appear in the display when delay
time is determined by the DELAY
CLOCK (see below). If the PATTERN
delay is activated, neither the
DELAY TIME nor the DELAY CLOCK