Access virus os4 Manuale Utente
ACCESS VIRUS OS4
43
The LFOs
modulation targets via the
PARAMETER button after you have
pressed the AMOUNT button
once.) Once you have dialed in a
value other than 0 for a modula-
tion target, the corresponding LED
illuminates continually. This fea-
ture tells you at a glance that a
modulation is underway even
when the display indicates some
other type of operation.
PARAMETER button after you have
pressed the AMOUNT button
once.) Once you have dialed in a
value other than 0 for a modula-
tion target, the corresponding LED
illuminates continually. This fea-
ture tells you at a glance that a
modulation is underway even
when the display indicates some
other type of operation.
Here are the definitions for
the modulation targets:
the modulation targets:
OSC-1 refers to the frequency of
oscillator 1
oscillator 1
OSC-2 refers to the frequency of
oscillator 2
oscillator 2
PW 1+2 means that the pulse
widths of both oscillators are con-
trolled in unison
widths of both oscillators are con-
trolled in unison
RESO 1+2 refers to the resonances
of both filters. Please keep in mind
that although each set of these
parameters is assigned a common
modulation intensity, you can still
dial in different sound-shaping set-
tings manually. In other words, the
audible result of a joint modula-
tion varies according to the values
you have determined for the other
parameters.
of both filters. Please keep in mind
that although each set of these
parameters is assigned a common
modulation intensity, you can still
dial in different sound-shaping set-
tings manually. In other words, the
audible result of a joint modula-
tion varies according to the values
you have determined for the other
parameters.
ASSIGN Here you can freely select
any modulation destination.
any modulation destination.
Modulate the five parameters sep-
arately and in combinations with
different intensities. Try to antici-
pate the sound you will come up
with when you modulate the first
oscillator, the second oscillator or
both oscillators at once and see if
the results match your expecta-
tions. If you can fairly reliably pre-
dict the outcome of your sound-
shaping efforts, you should have a
handle on the information dis-
cussed thus far and can use your
knowledge to create specific
sounds you have in mind.
arately and in combinations with
different intensities. Try to antici-
pate the sound you will come up
with when you modulate the first
oscillator, the second oscillator or
both oscillators at once and see if
the results match your expecta-
tions. If you can fairly reliably pre-
dict the outcome of your sound-
shaping efforts, you should have a
handle on the information dis-
cussed thus far and can use your
knowledge to create specific
sounds you have in mind.
During the course of your experi-
ments, it is entirely possible that
you have generated modulations
that have no effect whatsoever on
ments, it is entirely possible that
you have generated modulations
that have no effect whatsoever on