Справочник Пользователя для Access virus os4
ACCESS VIRUS OS4
43
The LFOs
modulation targets via the
PARAMETER button after you have
pressed the AMOUNT button
once.) Once you have dialed in a
value other than 0 for a modula-
tion target, the corresponding LED
illuminates continually. This fea-
ture tells you at a glance that a
modulation is underway even
when the display indicates some
other type of operation.
PARAMETER button after you have
pressed the AMOUNT button
once.) Once you have dialed in a
value other than 0 for a modula-
tion target, the corresponding LED
illuminates continually. This fea-
ture tells you at a glance that a
modulation is underway even
when the display indicates some
other type of operation.
Here are the definitions for
the modulation targets:
the modulation targets:
OSC-1 refers to the frequency of
oscillator 1
oscillator 1
OSC-2 refers to the frequency of
oscillator 2
oscillator 2
PW 1+2 means that the pulse
widths of both oscillators are con-
trolled in unison
widths of both oscillators are con-
trolled in unison
RESO 1+2 refers to the resonances
of both filters. Please keep in mind
that although each set of these
parameters is assigned a common
modulation intensity, you can still
dial in different sound-shaping set-
tings manually. In other words, the
audible result of a joint modula-
tion varies according to the values
you have determined for the other
parameters.
of both filters. Please keep in mind
that although each set of these
parameters is assigned a common
modulation intensity, you can still
dial in different sound-shaping set-
tings manually. In other words, the
audible result of a joint modula-
tion varies according to the values
you have determined for the other
parameters.
ASSIGN Here you can freely select
any modulation destination.
any modulation destination.
Modulate the five parameters sep-
arately and in combinations with
different intensities. Try to antici-
pate the sound you will come up
with when you modulate the first
oscillator, the second oscillator or
both oscillators at once and see if
the results match your expecta-
tions. If you can fairly reliably pre-
dict the outcome of your sound-
shaping efforts, you should have a
handle on the information dis-
cussed thus far and can use your
knowledge to create specific
sounds you have in mind.
arately and in combinations with
different intensities. Try to antici-
pate the sound you will come up
with when you modulate the first
oscillator, the second oscillator or
both oscillators at once and see if
the results match your expecta-
tions. If you can fairly reliably pre-
dict the outcome of your sound-
shaping efforts, you should have a
handle on the information dis-
cussed thus far and can use your
knowledge to create specific
sounds you have in mind.
During the course of your experi-
ments, it is entirely possible that
you have generated modulations
that have no effect whatsoever on
ments, it is entirely possible that
you have generated modulations
that have no effect whatsoever on