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51
The Delay Effect
THE DELAY EFFECT
A delay effect is traditionally used
to generated an echo of the input
signal. Locate the parameter group
DELAY in the EDIT menu.
to generated an echo of the input
signal. Locate the parameter group
DELAY in the EDIT menu.
01111111111111111112
1 DELAY
EffectSend 0≤
EffectSend 0≤
61111111111111111154
Here you fill find parameters that
are virtually identical to the
parameters of the CHORUS group.
Do not allow yourself to be con-
fused by the slightly different ter-
minology: The delay time is set via
the parameter entitled TIME
(equivalent to DELAY in the CHO-
RUS section); the other features
are FEEDBACK with a dedicated
LFO and the familiar parameters
RATE, DEPTH and SHAPE.
are virtually identical to the
parameters of the CHORUS group.
Do not allow yourself to be con-
fused by the slightly different ter-
minology: The delay time is set via
the parameter entitled TIME
(equivalent to DELAY in the CHO-
RUS section); the other features
are FEEDBACK with a dedicated
LFO and the familiar parameters
RATE, DEPTH and SHAPE.
Only two functions in the Delay
section are different to the Chorus
section: For one, it features an
EFFECT SEND instead of the bal-
ance parameter DIR/EFF. EFFECT
SEND is especially significant in
MULTI MODE, where several PARTs
with different levels are patched
through the same delay effect.
section are different to the Chorus
section: For one, it features an
EFFECT SEND instead of the bal-
ance parameter DIR/EFF. EFFECT
SEND is especially significant in
MULTI MODE, where several PARTs
with different levels are patched
through the same delay effect.
For the other, LENGTH enables you
to create substantially longer delay
times, for instance to achieve com-
plete echoes (maximum of 693
ms) that are fully audible. The LFO
allows you to modulate the delay
as you would the chorus to achieve
similar detuning effects. A stereo
effect is achieved via different
modulations of the left and right
sides of the signal.
to create substantially longer delay
times, for instance to achieve com-
plete echoes (maximum of 693
ms) that are fully audible. The LFO
allows you to modulate the delay
as you would the chorus to achieve
similar detuning effects. A stereo
effect is achieved via different
modulations of the left and right
sides of the signal.