Access os5 Manuale Utente
ACCESS VIRUS OS5
73
LFO (Edit Menu)Filter Envelope
Between the two positions Filter-1 and FILTER-
2 you will find the position Filter-1+2, which lets
you jointly control the modulation intensities of
both oscillators. In this position, the Filter-1 and
Filter-2 LEDs flash.
2 you will find the position Filter-1+2, which lets
you jointly control the modulation intensities of
both oscillators. In this position, the Filter-1 and
Filter-2 LEDs flash.
LFO (EDIT MENU)
LFO-1 ENV MODE
Activates an operating mode in which the LFO
oscillates like an envelope: The LFO cycles
once only following the start of the note; the re-
sponse of the LFO shifts from bipolar to unipo-
lar. If the LFO waveshape S&H (Sample & Hold)
is active, then the LFO is assigned a new ran-
dom value with each new note. This new value
is valid for the entire duration of the note.
oscillates like an envelope: The LFO cycles
once only following the start of the note; the re-
sponse of the LFO shifts from bipolar to unipo-
lar. If the LFO waveshape S&H (Sample & Hold)
is active, then the LFO is assigned a new ran-
dom value with each new note. This new value
is valid for the entire duration of the note.
LFO-1 MODE
- POLY In polyphonic mode, each of the voic-
es involved is assigned a dedicated LFO. The
LFOs oscillate in different phase positions for
each voice. This livens up the LFO modula-
tion.
LFOs oscillate in different phase positions for
each voice. This livens up the LFO modula-
tion.
- MONO In polyphonic mode, all voices are
assigned the same LFO. This accentuates the
LFO modulation, making it more pronounced.
LFO modulation, making it more pronounced.
01111111111111111112
1 LFO1
Clock Poly≤
Clock Poly≤
61111111111111111154
LFO-1CLOCK
When you set it to OFF, the LFO oscillates in the
normal manner, independently of the global
Master Clock (CLOCK TEMPO). When you en-
ter a note value here, the LFO rate is synced up
to the global master clock. The length of the
waveshape’s cycle will then correspond to the
note value that you have entered. You can also
set the rate via CLOCK TEMPO (refer to the ap-
propriate section) or synchronize it to external
MIDI clock. When the LFO is synced up to the
master clock, you can also select the desired
note value via the LFO RATE knob.
normal manner, independently of the global
Master Clock (CLOCK TEMPO). When you en-
ter a note value here, the LFO rate is synced up
to the global master clock. The length of the
waveshape’s cycle will then correspond to the
note value that you have entered. You can also
set the rate via CLOCK TEMPO (refer to the ap-
propriate section) or synchronize it to external
MIDI clock. When the LFO is synced up to the
master clock, you can also select the desired
note value via the LFO RATE knob.
01111111111111111112
1 LFO1
Clock 1/24≤
Clock 1/24≤
61111111111111111154
LFO-1 CONTOUR
By LFO Contour you can now bend or ”morph”
(almost) all the LFO waveforms. A brief survey
of the LFO Contour options for the different
LFO modes follows:
(almost) all the LFO waveforms. A brief survey
of the LFO Contour options for the different
LFO modes follows:
01111111111111111112
1 LFO 1
Contour +0≤
Contour +0≤
61111111111111111154
- SINE Contour morphs from sine to a triangle
wave (Contour to the left) or to a square wave
(Contour to the right).
(Contour to the right).
- TRIANGLE Contour morphs from a triangle
to a declining (Contour to the left) or ascend-
ing sawtooth (Contour to the right).
ing sawtooth (Contour to the right).
- SAWTOOTH Contour morphs from a linear
declining sawtooth or decay to any exponen-
tially declining decay(Contour to the left) or to
a square (Contour to the right).
tially declining decay(Contour to the left) or to
a square (Contour to the right).