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74
CHAPTER 6
Synthesis Parameters
Synthesis Parameters
- SQUARE C o n t o u r m o d u l a t e s t h e p u l s e
width of the square wave.
- WAVES Contour ”zooms” into the wave,
thereby shortening the wave’s loop length
(Contour to the right).
(Contour to the right).
LFO-1TRIGGER PHASE
Selects the position in the wave cycle - i.e. the
phase position - at which the LFO starts oscil-
lating in response to the start of a note. The
control range of 1 to 127 is equivalent to phase
positions of 0 to 360 degrees; the value 0
switches the KEY TRIGGER function complete-
ly off so that the LFO oscillates freely and ap-
pears on random phase positions at the start of
a note.
phase position - at which the LFO starts oscil-
lating in response to the start of a note. The
control range of 1 to 127 is equivalent to phase
positions of 0 to 360 degrees; the value 0
switches the KEY TRIGGER function complete-
ly off so that the LFO oscillates freely and ap-
pears on random phase positions at the start of
a note.
01111111111111111112
1 LFO1
TrigPhase Off≤
TrigPhase Off≤
61111111111111111154
LFO-1 KEY FOLLOW
Controls the intensity of the KEY FOLLOW
function - i.e. the rate at which the LFO follows
the pitch of a played note. At a value of 0, KEY
FOLLOW is deactivated. At a value of 127, the
rate doubles with each octave.
function - i.e. the rate at which the LFO follows
the pitch of a played note. At a value of 0, KEY
FOLLOW is deactivated. At a value of 127, the
rate doubles with each octave.
01111111111111111112
1 LFO1
Keyfollow Off≤
Keyfollow Off≤
61111111111111111154
LFO-2 ENV MODE
Activates an operating mode in which the LFO
oscillates like an envelope: The LFO cycles
once only following the start of the note; the re-
sponse of the LFO shifts from bipolar to unipo-
lar. If the LFO waveshape S&H (Sample & Hold)
is active, then the LFO is assigned a new ran-
dom value with each new note. This new value
is valid for the entire duration of the note.
oscillates like an envelope: The LFO cycles
once only following the start of the note; the re-
sponse of the LFO shifts from bipolar to unipo-
lar. If the LFO waveshape S&H (Sample & Hold)
is active, then the LFO is assigned a new ran-
dom value with each new note. This new value
is valid for the entire duration of the note.
LFO-2 MODE
- POLY In polyphonic mode, each of the voic-
es involved is assigned a dedicated LFO. The
LFOs oscillate in different phase positions for
each voice. This livens up the LFO modula-
tion.
LFOs oscillate in different phase positions for
each voice. This livens up the LFO modula-
tion.
- MONO In polyphonic mode, all voices are
assigned the same LFO. This accentuates the
LFO modulation, making it more pronounced.
LFO modulation, making it more pronounced.
01111111111111111112
1 LFO2
Clock Poly≤
Clock Poly≤
61111111111111111154
LFO-2 CLOCK
When you set it to OFF, the LFO oscillates in the
normal manner, independently of the global
Master Clock (CLOCK TEMPO). When you en-
ter a note value here, the LFO rate is synced up
to the global master clock. The length of the
waveshape’s cycle will then correspond to the
note value that you have entered. You can also
set the rate via CLOCK TEMPO (refer to the ap-
propriate section) or synchronize it to external
normal manner, independently of the global
Master Clock (CLOCK TEMPO). When you en-
ter a note value here, the LFO rate is synced up
to the global master clock. The length of the
waveshape’s cycle will then correspond to the
note value that you have entered. You can also
set the rate via CLOCK TEMPO (refer to the ap-
propriate section) or synchronize it to external