Access os5 Manuale Utente
ACCESS VIRUS OS5
85
Delay / ReverbFilter Envelope
DEPTH
Controls the intensity of the Phaser frequency
modulation by the LFO.
modulation by the LFO.
01111111111111111112
1 PHASER
Depth 112≤
Depth 112≤
61111111111111111154
FREQUENCY
The characteristic cor ner frequency of the
phaser’s all-pass filter. The frequencies of the
left and right sides are shifted every so slightly
to create a real stereo effect.
phaser’s all-pass filter. The frequencies of the
left and right sides are shifted every so slightly
to create a real stereo effect.
01111111111111111112
1 PHASER
Frequency 48≤
Frequency 48≤
61111111111111111154
01111111111111111112
1 PHASER
Feedback +0≤
Feedback +0≤
61111111111111111154
STAGES
Use STAGES (1-6) to select the number of
phaser stages or filter poles. This determines
directly the number of filter notches and peaks
in the phaser signal.
phaser stages or filter poles. This determines
directly the number of filter notches and peaks
in the phaser signal.
01111111111111111112
1 PHASER
Stages 4≤
Stages 4≤
61111111111111111154
SPREAD
Use SPREAD to increase or decrease the dis-
tance between the notches and peaks in the
frequency spectrum. In other words, here you
can adjust bandwidth of the phaser effect.
tance between the notches and peaks in the
frequency spectrum. In other words, here you
can adjust bandwidth of the phaser effect.
01111111111111111112
1 PHASER
Spread 127≤
Spread 127≤
61111111111111111154
DELAY / REVERB
As its name would indicate, the DELAY/RE-
VERB section generates two different effects:
VERB section generates two different effects:
The DELAY effect does just that to the input sig-
nal – delay it to create echoes. Much like a cho-
rus, you can modulate the delay time to create
oscillations and phase shifting in the stereo
panorama. Delay time can also be locked into
sync with the global clock generator. As a re-
sult, the rhythm of the repetitions can be
matched up to the given song tempo. Beyond
that, the device offers diverse delay pattern al-
gorithms where the left and right signals are de-
layed so that echoes are repeated in different
beats. By varying FEEDBACK values, you can
come up with interesting rhythmic patterns.
nal – delay it to create echoes. Much like a cho-
rus, you can modulate the delay time to create
oscillations and phase shifting in the stereo
panorama. Delay time can also be locked into
sync with the global clock generator. As a re-
sult, the rhythm of the repetitions can be
matched up to the given song tempo. Beyond
that, the device offers diverse delay pattern al-
gorithms where the left and right signals are de-
layed so that echoes are repeated in different
beats. By varying FEEDBACK values, you can
come up with interesting rhythmic patterns.
The REVERB effect, on the other hand, simu-
lates the reflections that occur in “natural”
rooms. This particular effect features several
parameters that let you come up with effects
that go beyond simple room simulation. For ex-
ample, you can use the DELAY unit described
above to dial in the desired pre-delay for room
simulations. The DELAY effect is located prior
lates the reflections that occur in “natural”
rooms. This particular effect features several
parameters that let you come up with effects
that go beyond simple room simulation. For ex-
ample, you can use the DELAY unit described
above to dial in the desired pre-delay for room
simulations. The DELAY effect is located prior