Korg Triton Studio ユーザーズマニュアル

This effect records the input signal and automatically plays it 
in reverse (the effect is similar to a tape reverse sound).

When ”Rec Mode“ is set to Single, you can set up to 1320msec for 
“Reverse Time. ”If recording starts during the reverse playback, 
the playback will be interrupted.
When “Rec Mode” is set to Multi, you can make another record-
ing during the reverse playback. However, the maximum Reverse 
Time is limited to 660msec.
If you wish to record a phrase or rhythm pattern, set “Rec Mode” 
to Single. If you record only one note, set “Rec Mode” to Multi.
The “Reverse Time” parameter specifies the maximum duration 
of the reverse playback. The part in excess of this limit will not be 
played in reverse. If you wish to add short pieces of the reverse 
playback of single notes, make the “Reverse Time” shorter.

These parameters select the source to control the start and end of 
recording.

When “Envelope Select” is set to D-mod, the input signal will be 
recorded only when the value of the modulation source selected 
by the Src parameter is 64 or higher.
When “Envelope Select” is set to Input, the input signal will be 
recorded only when its level exceeds the Threshold level.
When recording is completed, reverse playback starts immedi-
ately.

This multitap delay outputs three Tap signals to the left, right, 
and center respectively. You can also adjust the left and right 
spread of the delay sound.

These parameters set the damping amount of high range and low 
range. The tone of the delayed sound becomes darker and lighter 
as it feeds back.

This parameter sets the pan width of the effect sound. The stereo 
image is widest with a value of 50, and the effect sound of both 
channels is output from the center with a value of 0.

a

Rec Mode
Sets the recording mode

Single, Multi

☞

b

Reverse Time [msec]

20...1320msec

Sets the maximum duration of the reverse playback

☞

c

Envelope Select

D-mod, Input

Selects whether the start and end of recording is controlled via the 
modulation source or the input signal level

☞

,

Src

Off...Tempo

Selects the modulation source that controls recording when Enve-
lope Select is set to D-mod

☞

d

Threshold

0...100

Sets the recording start level when Envelope Select is set to Input
 

☞

e

Response

0...100

Sets the speed of the response to the end of recording

☞

 Fx:031

f

Direct Mix

Always On, Always Off, Cross Fade

Selects how a dry sound is mixed

☞

 Fx:031

g

Wet/Dry

Dry, 1:99...99:1, Wet

Src

Off...Tempo

Amt
Sets the modulation amount of the effect balance

–100...+100

+

a

L Delay Time [msec]
Sets the delay time of TapL

0...1360msec

Level
Sets the output level of TapL

0...50

b

C Delay Time [msec]
Sets the delay time of TapC

0...1360msec

Level
Sets the output level of TapC

0...50

c

R Delay Time [msec]
Sets the delay time of TapR

0...1360msec

Level
Sets the output level of TapR

0...50

d

Feedback (C Delay)
Sets the feedback amountof TapC

–100...+100

Src

Off...Tempo

Selects the modulation source of the TapC feedback amount

Amt

–100...+100

Sets the modulation amount of the TapC feedback amount

e

High Damp [%]
Sets the damping amount in the high range

0...100%

☞

Low Damp [%]
Sets the damping amount in the low range

0...100%

☞

f

Input Level Dmod [%]

–100...+100

Sets the modulation amount of the input level

☞

 Fx:037,

 

Src
Selects the modulation source for the input level

Off...Tempo

☞

 Fx:037

g

Spread

0...50

Sets the width of the stereo image of the effect sound

☞

h

Wet/Dry

Dry, 1:99...99:1, Wet

Src

Off...Tempo

Amt
Sets the modulation amount of the effect balance

–100...+100

+