Moog mf105b ユーザーズマニュアル
and the transitions from filter to filter blurred, as the Attack and
Decay become so long that the effect is crossfading from one filter
to the next.
5) Finally, turn the ENVELOPE control up to 8. The effect now
sounds “backwards” as the attack time is now smooth but fast, and
the decay is abrupt.
Decay become so long that the effect is crossfading from one filter
to the next.
5) Finally, turn the ENVELOPE control up to 8. The effect now
sounds “backwards” as the attack time is now smooth but fast, and
the decay is abrupt.
What happens as you change the ENVELOPE control is that the
shape of the Envelopes controlling the gain of the filters morphs.
Figure 11 shows the changes to the envelope times at different
shape of the Envelopes controlling the gain of the filters morphs.
Figure 11 shows the changes to the envelope times at different
Figure 11 - Effect of the ENVELOPE control
on the Bass MuRF’s attack and decay times
settings of the Envelope
control. The Envelope times
also change as the Rate
changes - faster Rate settings
cause the envelope times to
decrease and slower Rate
settings slow the envelope
control. The Envelope times
also change as the Rate
changes - faster Rate settings
cause the envelope times to
decrease and slower Rate
settings slow the envelope
times. This makes the Bass MuRF capable of both rhythmic and
smooth-changing, swirling effects. Spend some time to get to
know how this control interacts with the different patterns and you
will be rewarded with some very interesting sounds!
smooth-changing, swirling effects. Spend some time to get to
know how this control interacts with the different patterns and you
will be rewarded with some very interesting sounds!
THE Bass MuRF’S TAP/STEP INPUT
The Bass MuRF’s Animation can be synced to the tempo of the
music using a Moog FS-1 footswitch or equivalent plugged into
the TAP/STEP input. Tapping three times activates the tap tempo
feature of the Bass MuRF. The MF-105B calculates the time in
between taps and translates this into the rate for the pattern. It is
important to make the time between the taps as much the same as
possible to get the best results. Note that the Rate light becomes
green when the rate is set by the TAP/STEP input, and returns to
red if the RATE control is changed. The tempo of the Animation
is twice the rate that is tapped on the footswitch. In other words, if
you tap in quarter notes, the Animation will chug along in eighth
notes. If you tap eighth notes, the Animation will proceed in 16th
notes.
music using a Moog FS-1 footswitch or equivalent plugged into
the TAP/STEP input. Tapping three times activates the tap tempo
feature of the Bass MuRF. The MF-105B calculates the time in
between taps and translates this into the rate for the pattern. It is
important to make the time between the taps as much the same as
possible to get the best results. Note that the Rate light becomes
green when the rate is set by the TAP/STEP input, and returns to
red if the RATE control is changed. The tempo of the Animation
is twice the rate that is tapped on the footswitch. In other words, if
you tap in quarter notes, the Animation will chug along in eighth
notes. If you tap eighth notes, the Animation will proceed in 16th
notes.