E-Mu orbit v2 사용자 설명서
Chapter 4: Programming Basics
53
PROGRAMMING BASICS
The MIDI controllers A-B-C-D must have both a source (0-31), and a destination
assigned.
assigned.
Standard MIDI
Controller Numbers
Controller Numbers
1 Modulation Wheel
2 Breath Controller
3 Pressure Rev 1 DX7
4 Foot Pedal
5 Portamento Time
6 Data Entry
7 Volume
8 Balance
9 Undefined
10 Pan
Let's say for example, that you are using a Yamaha DX7 as your master
keyboard. The DX7 has pitch and mod wheels, a breath controller, a
data slider and a foot pedal, all of which transmit their values over
MIDI. The standard MIDI controller numbers for the controls are
listed below (the pitch wheel has a dedicated controller, PWH). First,
we would go to the Master menu, MIDI Controller Assign and define
the 4 MIDI controllers that we wish to use. Assign each controller
number to one of the letters A-B-C-D.
keyboard. The DX7 has pitch and mod wheels, a breath controller, a
data slider and a foot pedal, all of which transmit their values over
MIDI. The standard MIDI controller numbers for the controls are
listed below (the pitch wheel has a dedicated controller, PWH). First,
we would go to the Master menu, MIDI Controller Assign and define
the 4 MIDI controllers that we wish to use. Assign each controller
number to one of the letters A-B-C-D.
01 - Modulation Wheel
A
02 - Breath Controller
B
04 - Foot Pedal
C
06 - Data Entry
D
To complete the connections for a particular preset, go to the Edit
menu, Realtime Control, and route the MIDI A, B, C, D to the desired
destinations. These could be patched to any 4 destinations or even to
the same destination. The MIDI Controller Amount menu, (in the Edit
menu) allows you to scale the amounts of each of the controllers by a
positive or negative value. The signal flow is shown in the diagram
below.
menu, Realtime Control, and route the MIDI A, B, C, D to the desired
destinations. These could be patched to any 4 destinations or even to
the same destination. The MIDI Controller Amount menu, (in the Edit
menu) allows you to scale the amounts of each of the controllers by a
positive or negative value. The signal flow is shown in the diagram
below.
0
1
2
3
1
2
3
31
MIDI
Controller
C
Control Destinations
+
-
Master
Menu
Menu
Edit
Menu
Menu
A
B
C
D
0
1
2
3
1
2
3
31
MIDI
Controller
A
0
1
2
3
1
2
3
31
MIDI
Controller
B
0
1
2
3
1
2
3
31
MIDI
Controller
D
MIDI
Amount
+
-
+
-
+
-
Pitch
Primary Pitch only
Secondary Pitch only
Volume
Primary Volume only
Secondary Volume only
Attack
Primary Attack only
Secondary Attack only
Decay
Primary Decay only
Secondary Decay only
Release
Primary Release only
Secondary Release only
Crossfade
LFO 1 Rate
LFO 1 Amount
LFO 2 Rate
LFO 2 Amount
Auxiliary Envelope Amount
Auxiliary Envelope Attack
Auxiliary Envelope Decay
Auxiliary Envelope Release
Portamento Rate
Primary Portamento Rate
Secondary Portamento Rate
Filter Morph
Primary Filter Morph
Secondary Filter Morph
Pan
Primary Pan
Secondary Pan
Primary Pitch only
Secondary Pitch only
Volume
Primary Volume only
Secondary Volume only
Attack
Primary Attack only
Secondary Attack only
Decay
Primary Decay only
Secondary Decay only
Release
Primary Release only
Secondary Release only
Crossfade
LFO 1 Rate
LFO 1 Amount
LFO 2 Rate
LFO 2 Amount
Auxiliary Envelope Amount
Auxiliary Envelope Attack
Auxiliary Envelope Decay
Auxiliary Envelope Release
Portamento Rate
Primary Portamento Rate
Secondary Portamento Rate
Filter Morph
Primary Filter Morph
Secondary Filter Morph
Pan
Primary Pan
Secondary Pan