Yamaha STAGEPAS 300 STAGEPASS-300 사용자 설명서
제품 코드
STAGEPASS-300
Electric
-Acoustic
Guitar
-Acoustic
Guitar
Electric
-Acoustic
Guitar
-Acoustic
Guitar
Electric
-Acoustic
Guitar
-Acoustic
Guitar
Dimensions
■ Mixer
■ Speaker
Unit: mm (inch)
Dimensions
■ Mixer
■ Speaker
Unit: mm (inch)
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
9/10
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
7/8
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
5/6
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
4
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
3
HIGH
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
2
HIGH
REVERB
REVERB
REVERB
REVERB
–15
+
15
LO
W
–15
+
15
LEVEL
01
0
1
MONIT
OR
OUT
01
0
REVERB
01
0
LEVEL
01
0
MASTER
(MONO)
L
R
L
R
RR
LL
MIC LINE
MIC LINE
MIC LINE
MIC LINE
PHANT
OM
CH1-4
LIMIT COMP
LIMIT COMP
R
R
L
(MONO)
L
L
R
OPEN
LOCK
OPEN
LOCK
SPEECH
PO
WER
MUSIC
-
20
-
6
0
+3
+6
LIMITER
SPEAKERS
OFF
ON
MONIT
OR
OUT
POWER
AC IN
ON
OFF
MSC
2
3
1
MSC
2
3
1
MSC
2
3
1
MSC
2
3
1
1
MSC
2
3
MSC
2
3
1
MSC
2
3
1
342 (13-
1/2
")
175
(6-
7/8
")
544.5 (21-
1
/ 2
")
330 (13")
120 (4-
3/4
")
152 (6")
2-M8 x 25
298 (11-
3/4
")
111.5
(4-
3/8
")
Tripod pole diameter
35-36 mm
* Use of the stand should refer to stand
manufacturer's instructions.
manufacturer's instructions.
96.3
(3-
3/4
")
160
(6-
1/4
")
255 (10-
1/8
")
455.5 (17-
7
/ 8
")
275 (10-
7/8
")
2-M8 x 25
120 (4-
3/4
")
137 (5-
3
/ 8
")
290 (11-
3
/ 8
")
Phantom Power Switch
Supplies phantom power to the microphone
inputs on channels 1 through 4, for high
performance condenser microphones.
inputs on channels 1 through 4, for high
performance condenser microphones.
Digital Reverb
Renowned Yamaha SPX reverb technology gives
you studio-quality ambience on the road.
you studio-quality ambience on the road.
MUSIC / SPEECH Switch
This unique feature optimizes the system
settings for maximum clarity with speech.
settings for maximum clarity with speech.
1-bit Modulation Reverb
Advanced 1-bit modulation technology
delivers great-sound reverb for
natural warmth and ambience.
delivers great-sound reverb for
natural warmth and ambience.
LIMIT / COMP Switches
Apply limiting or compression
to channels 1 and 2 for added
sonic control and versatility.
to channels 1 and 2 for added
sonic control and versatility.
Optional MSR250
(as floor monitors)
(as floor monitors)
Vocal
Chorus X2
Preamp for
Acoustic Guitar
Acoustic Guitar
Live Performance with a Full Band
STAGEPAS
SPEAKERS
SPEAKERS
STAGEPAS
SPEAKERS
SPEAKERS
Mics
Preamp for
Acoustic Guitar
Acoustic Guitar
Preamp for
Acoustic Guitar
Acoustic Guitar
Duo Performers
Synthesizer
Synthesizer
Useful Features for Bands
Useful Features for Performers
Audience
Audience
Dual 150 Watt Class D Power Amplifier
Two 150 Watt power amplifier is plenty for most small
venues and street performance situations. And you get
clean, reliable power from a Class-D design that provides
high-efficiency amplification with low power consumption
and minimal heat generation, allowing the amplifier to
be built into a smaller, lighter, and cooler package.
venues and street performance situations. And you get
clean, reliable power from a Class-D design that provides
high-efficiency amplification with low power consumption
and minimal heat generation, allowing the amplifier to
be built into a smaller, lighter, and cooler package.
8-channel Mixer with Monitor and
Record Outputs
Record Outputs
The powered mixer is normally stored in the rear of
one of the speakers, but it can be easily detached (the
only tool you need is a coin) for convenient operation.
The STAGEPAS 300 mixer has a total of eight input
channels: four mono microphone/line inputs and two
stereo line inputs. In addition to speaker outputs for
the supplied speakers, the mixer has line outputs that
can be used to connect additional powered speakers
for monitoring, and to send the mixer’s output to a
recording device.
one of the speakers, but it can be easily detached (the
only tool you need is a coin) for convenient operation.
The STAGEPAS 300 mixer has a total of eight input
channels: four mono microphone/line inputs and two
stereo line inputs. In addition to speaker outputs for
the supplied speakers, the mixer has line outputs that
can be used to connect additional powered speakers
for monitoring, and to send the mixer’s output to a
recording device.
Speaker Stand Mountable
(with optional accessory)
The STAGEPAS 300 speakers can be
mounted onto a standard speaker stands,
using an optional mount adaptor such as
the ADP138, the Ultimate BMB200,
or an equivalent.
mounted onto a standard speaker stands,
using an optional mount adaptor such as
the ADP138, the Ultimate BMB200,
or an equivalent.
Common Features
• Detachable Powered Mixer
• Two-way Full-range Speaker System
• Built-in EQ and High-quality Digital Reverb
• MUSIC / SPEECH Switch
• Auto Limiter
• LED Output Level Meter
• Ideal for Monitor Speaker Use
• Speaker Cables Supplied
• Two-way Full-range Speaker System
• Built-in EQ and High-quality Digital Reverb
• MUSIC / SPEECH Switch
• Auto Limiter
• LED Output Level Meter
• Ideal for Monitor Speaker Use
• Speaker Cables Supplied
Common Features
• Detachable Powered Mixer
• Two-way Full-range Speaker System
• Built-in EQ and 1-bit Modulation Reverb
• MUSIC / SPEECH Switch
• Auto Limiter
• LED Output Level Meter
• Ideal for Monitor Speaker Use
• Speaker Cables Supplied
• Two-way Full-range Speaker System
• Built-in EQ and 1-bit Modulation Reverb
• MUSIC / SPEECH Switch
• Auto Limiter
• LED Output Level Meter
• Ideal for Monitor Speaker Use
• Speaker Cables Supplied
Dual 250 Watt Class D Power Amplifier
Two 250 Watt power amplifier can fill surprisingly large
clubs or rooms, or project your sound over a
considerable distance outdoors. The class-D power
amplifier has been painstakingly designed to deliver
superior sound quality as well as reliability in a
remarkably compact unit.
clubs or rooms, or project your sound over a
considerable distance outdoors. The class-D power
amplifier has been painstakingly designed to deliver
superior sound quality as well as reliability in a
remarkably compact unit.
Versatile 10-channel Mixer with
Monitor and Record Outputs
If there are more members in your band than the
STAGEPAS 300’s 8 input channels can handle, or you
simply have a lot of sources to mix, the STAGEPAS 500
gives you 10 input channels in all: four mono
microphone/line inputs and three stereo line inputs.
The additional stereo channel can be used for either a
stereo or mono source. In addition to the main speaker
outputs the mixer has line outputs that can be used to
connect additional powered speakers for monitoring,
and to send the mixer’s output to a recording device.
STAGEPAS 300’s 8 input channels can handle, or you
simply have a lot of sources to mix, the STAGEPAS 500
gives you 10 input channels in all: four mono
microphone/line inputs and three stereo line inputs.
The additional stereo channel can be used for either a
stereo or mono source. In addition to the main speaker
outputs the mixer has line outputs that can be used to
connect additional powered speakers for monitoring,
and to send the mixer’s output to a recording device.
Phantom Power for High-performance
Condenser Microphones
The STAGEPAS 500 mixer features switchable phantom
power for the four mono microphone/line inputs. This
lets you use high-performance phantom-powered
condenser microphones in situations where you want
the extended, natural response they provide.
power for the four mono microphone/line inputs. This
lets you use high-performance phantom-powered
condenser microphones in situations where you want
the extended, natural response they provide.
Built-in Channel Compression/Limiting
Channels 1 and 2 feature LIMIT/COMP switches that
let you apply either limiting or compression to those
channels. Limiting is useful in preventing input
overload and distortion with sources that suddenly
surge in level, while compression can smooth out
vocals, bass, guitar and other signals that have widely
varying dynamic range, giving those sources added
punch and helping them “sit” better in the mix.
let you apply either limiting or compression to those
channels. Limiting is useful in preventing input
overload and distortion with sources that suddenly
surge in level, while compression can smooth out
vocals, bass, guitar and other signals that have widely
varying dynamic range, giving those sources added
punch and helping them “sit” better in the mix.
Pole Mount Receptacle for
Direct Speaker Stand Mounting
Direct Speaker Stand Mounting
The STAGEPAS 500
speaker is directly
mountable on 35mm pole
with securing thumb screw.
speaker is directly
mountable on 35mm pole
with securing thumb screw.
Convenient Accessory Compartment
Neatly pack away your cables, microphones
and other small necessities in the speaker
accessory compartment, and enjoy a
truly streamlined system when on the road.
and other small necessities in the speaker
accessory compartment, and enjoy a
truly streamlined system when on the road.
Convenient Accessory Compartment
Neatly pack away your cables,
microphones and other small
necessities in the speaker
accessory compartment, and
enjoy a truly streamlined
system when on the road.
microphones and other small
necessities in the speaker
accessory compartment, and
enjoy a truly streamlined
system when on the road.
The Ultimate In Portability with
8 Channels and 150W + 150W Output
8 Channels and 150W + 150W Output
10 Channels and 250W + 250W Power
for More Sources and Larger Venues
for More Sources and Larger Venues