Yamaha STAGEPAS 300 STAGEPASS-300 사용자 설명서

■ Mixer

■ Speaker

■ Mixer

■ Speaker

Unit: mm (inch)

Unit: mm (inch)

342 (13-

1/2

")

175 

(6-

7/8

")

544.5 (21-

1

/ 2

")

330 (13")

120 (4-

3/4

")

152 (6")

2-M8 x 25

298 (11-

3/4

")

111.5 

(4-

3/8

")

Tripod pole diameter 

35-36 mm

* Use of the stand should refer to stand 
   manufacturer's instructions.

96.3 

 (3-

3/4

")

160 

 (6-

1/4

")

290 (11-

3

/ 8

")

255 (10-

1/8

")

455.5 (17-

7

/ 8

")

275 (10-

7/8

")

2-M8 x 25

120 (4-

3/4

")

137 (5-

3

/ 8

")

A dedicated Stereo Link Out jack is 
provided for connection to optional MSR100 
powered speaker—allowing you to easily 
create a powerful stereo setup for larger 
venues and greater sound projection.

This convenient feature lets you connect a drum machine, synthesizer or 
metronome to Channels 5/6 and route a click/metronome or rhythm signal 
through the mixer for monitoring purposes only. Turning this switch on takes 
the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch 
lets you route the click signal to the PHONES out for headphones monitoring.

These outputs let you connect 
additional powered speakers 
to the STAGEPAS 150M or 
send the mixer’s output to a 
main mixer or recording device.

These outputs let you connect 
additional powered speakers to 
the STAGEPAS 250M or send 
the mixer’s output to a main 
mixer or recording device.

A dedicated Stereo Link Out jack is 
provided for connection to optional 
MSR250 powered speaker—allowing you 
to easily create a powerful stereo setup 
for larger venues and greater sound projection.

This convenient feature lets you connect a drum machine, synthesizer or 
metronome to Channels 7/8 and route a click/metronome or rhythm signal 
through the mixer for monitoring purposes only. Turning this switch on takes 
the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch 
lets you route the click signal to the PHONES out for headphones monitoring. 

The STAGEPAS 150M provides a total of eight input 
channels: two mono microphone/line inputs and three 
stereo line inputs. Along with the output for the supplied 
speaker, the built-in yet detachable mixer also has line 
outputs that can be used to connect additional powered 
speakers or to send the mixer’s output to a main mixer 
or recording device. A convenient PHONES jack is also 
included for connecting a set of headphones. 

This power amplifier is all you’ll need for most small 
venues and street performance situations, as well as 
personal monitoring applications.
The advanced Class-D design delivers exceptional 
efficiency—ensuring high power amplification with low 
power consumption and minimal heat generation. This 
means you get superior sound quality and reliability in 
a remarkably compact unit.

The STAGEPAS 150M is also effective as a monitor 
speaker system (especially for keyboard players, 
drummers and solo performers), thanks to its full-
range reproduction, convenient mixing controls, and 
versatile speaker placement.

The STAGEPAS 150M speaker can be  
mounted onto a standard speaker stand, 
using an optional mount adaptor such as
the ADP138, the Ultimate BMB200, 
or an equivalent.

The built-in yet detachable mixer of the STAGEPAS 250M 
provides a total of ten input channels: two mono 
microphone/line inputs and four stereo line inputs. In 
addition to a speaker output for the supplied speaker, the 
mixer has line outputs that can be used to connect additional 
powered speakers or to send the mixer’s output to a main 
mixer or recording device. It also features a convenient 
PHONES jack for connecting a set of headphones.

This high-power amplifier is capable of filling a relatively large 
club or room with sound, and can even project well outdoors. 
The advanced Class-D design delivers exceptional efficiency—
ensuring high power amplification with low power consumption 
and minimal heat generation. This means you get superior 
sound quality and reliability in a remarkably compact unit.

Channels 1 and 2 feature LIMIT/COMP switches that let you apply 
either limiting or compression to those channels. Limiting is useful in 
preventing input overload and distortion with sources that suddenly 
surge in level, while compression can smooth out vocals, bass, guitar 
and other signals that have widely varying dynamic range, giving 
those sources added punch and helping them “sit” better in the mix. 

The STAGEPAS 250 mixer features switchable 
phantom power for the two mono microphone/line 
inputs. This lets you use high-performance phantom-
powered condenser microphones in situations where 
you want the extended, natural response they provide.

The STAGEPAS 250M is also effective as a monitor speaker 
system (especially for keyboard players, drummers and solo 
performers), thanks to its full-range reproduction, 
convenient mixing controls, and versatile speaker placement.

The STAGEPAS 250M speaker is directly mountable on 
35mm pole with securing thumb screw.

STAGEPAS
SPEAKER

Music/
BGM

Vocal Metronome/

Click

Synthesizer

Vocal

BGM

Music

Metronome/Click

CD

Music/
BGM

Vocal

STAGEPAS
SPEAKER

(as a floor monitor)

MSR100

(as a floor monitor)

Electric

Guitar

MG 32/14FX

Electric

Bass

Vocal

Preamp for
Guitar

Preamp for
Bass

MSR400

Stage Piano

Synthesizer

Monitor 

from 

Main PA

STEREO

STEREO

STEREO

Portable PA System / Keyboard Amplifier

Portable PA System / Keyboard Amplifier