Roland Fantom-X8 Manual Do Utilizador
85
Creating a Rhythm Set
3.
Press [F5 (Tone Copy)].
The Rhythm Copy window appears.
fig.07-003_50
4.
Using [CURSOR] to move the cursor, select the “Source
(copy-source)” bank and number, and the rhythm tone.
(copy-source)” bank and number, and the rhythm tone.
5.
Turn the VALUE dial or use [INC][DEC] to make the setting.
6.
Using [CURSOR] to move the cursor, select the
“Destination (copy-destination)” rhythm tone number.
“Destination (copy-destination)” rhythm tone number.
7.
Turn the VALUE dial or use [INC][DEC] to make the setting.
8.
Press [F8 (Exec)].
A message will ask for confirmation.
9.
Press [F8 (Exec)] to return to the Rhythm Edit screen.
*
To cancel, press [F7 (Cancel)].
The sounds of the Fantom-X are based on complex PCM waveforms,
and if you attempt to make settings that are contrary to the type of
the original waveform, the results will not be as you expect.
and if you attempt to make settings that are contrary to the type of
the original waveform, the results will not be as you expect.
The internal waveforms of the Fantom-X fall into the following two
groups.
groups.
One-shot:
These waveforms contain sounds that have short
decays. A one-shot waveform records the initial rise
and fall of the sound. Some of the Fantom-X’s one-
shot waveforms are sounds that are complete in
decays. A one-shot waveform records the initial rise
and fall of the sound. Some of the Fantom-X’s one-
shot waveforms are sounds that are complete in
themselves, such as percussive instrument sounds.
The Fantom-X also contains many other one-shot
waveforms that are elements of other sounds. These
include attack components such as piano-hammer
sounds and guitar fret noises.
The Fantom-X also contains many other one-shot
waveforms that are elements of other sounds. These
include attack components such as piano-hammer
sounds and guitar fret noises.
Looped:
These waveforms include sounds with long decays
as well as sustained sounds. Loop waveforms
repeatedly play back (loop) the portion of the
waveform after the sound has reached a relatively
steady state. The Fantom-X’s looped waveforms also
include components of other sounds, such as piano-
string resonant vibrations and the hollow sounds of
brass instruments.
as well as sustained sounds. Loop waveforms
repeatedly play back (loop) the portion of the
waveform after the sound has reached a relatively
steady state. The Fantom-X’s looped waveforms also
include components of other sounds, such as piano-
string resonant vibrations and the hollow sounds of
brass instruments.
Cautions When Using a One-shot
Waveform
Waveform
It is not possible to use the envelope to modify a one-shot waveform
to create a decay that is longer than the original waveform, or to turn
it into a sustaining sound. If you were to program such an envelope,
you would be attempting to shape a portion of the sound that simply
doesn’t exist, and the envelope would have no effect.
to create a decay that is longer than the original waveform, or to turn
it into a sustaining sound. If you were to program such an envelope,
you would be attempting to shape a portion of the sound that simply
doesn’t exist, and the envelope would have no effect.
Cautions When Using a Loop
Waveform
Waveform
With many acoustic instruments such as piano and sax, extreme
timbral changes occur during the first few moments of each note.
This initial attack is what defines much of the instrument’s character.
For such waveforms, it is best to use the complex tonal changes of
the attack portion of the waveform just as they are, and to use the
envelope only to modify the decay portion. If you attempt to use the
envelope to modify the attack portion as well, the characteristics of
the original waveform may prevent you from getting the sound that
you intend.
timbral changes occur during the first few moments of each note.
This initial attack is what defines much of the instrument’s character.
For such waveforms, it is best to use the complex tonal changes of
the attack portion of the waveform just as they are, and to use the
envelope only to modify the decay portion. If you attempt to use the
envelope to modify the attack portion as well, the characteristics of
the original waveform may prevent you from getting the sound that
you intend.
fig.06-006.e
Cautions When Selecting a
Waveform
The Compare Function
For the Rhythm Tone Copy operations, you can use the
Compare function.
Compare function.
If you want to play the copy-source patch, press [F6 (Compare)]
to light it into red. Now you can play the copy-source rhythm
set from the keyboard or pads.
to light it into red. Now you can play the copy-source rhythm
set from the keyboard or pads.
fig.07-004_50
The rhythm set auditioned using the Compare function
may sound slightly different than when it is played
normally.
may sound slightly different than when it is played
normally.
Tone change stored
with the wave
Envelope
for the TVF filter
Resulting
tone change
Looped portion
Time
Level
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