Yamaha YDP-223 Manual Do Utilizador

YDP-223

   Preset Voice List

The demonstration pieces listed above are short rearranged excerpts the original compositions.
All other songs are original (©2002 Yamaha Corporation).

Recorded samples from a full concert grand piano. Perfect 
for classical compositions as well as any other style that 
requires acoustic piano.

Spacious and clear piano with bright reverb. Good for popu-
lar music.

An electronic piano sound created by FM synthesis. Good 
for popular music.

The sound of an electric piano using hammer-struck metallic 
“tines”. Soft tone when played lightly, and an aggressive 
tone when played hard.

The definitive instrument for baroque music. Since harpsi-
chord uses plucked strings, there is no touch response. 
There is, however, a characteristic additional sound when 
the keys are released.

Mixes the same voice an octave higher for a more brilliant 
tone.

Vibraphone played with relatively soft mallets. The tone 
becomes more metallic the harder you play.

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). 
Good for sacred music from the Baroque period.

This is the organ's full coupler sound often associated with 
Beach’s “Toccata and Fugue”.

The sound of a “tonewheel” type electric organ. Often heard 
in jazz and rock idioms.

Stereo-sampled, large-scale strings ensemble with realistic 
reverb. Try combining this voice with piano in the DUAL 
mode.

Spacious strings ensemble with a slow attack. Try combining 
this voice with a piano or electric piano in the DUAL mode.

A big, spacious choir voice. Perfect for creating rich harmo-
nies in slow pieces.

Warm and natural-sounding nylon guitar. Enjoy the quiet 
ambience of nylon strings.

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of 

an acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

Consolation No.3

F. Liszt

Gavotte

J.S. Bach

Invention No.1