Yamaha H11 Manual Do Utilizador
ENGLISH
Selecting & Playing Voices
H11 Owner’s Manual
27
Selecting & Playing Voices
Selecting Voices
1
View the voice name.
When you press the
[VOICE]
button, the currently
selected voice number will appear on the display for
about three seconds.
about three seconds.
2
Select a voice.
While the voice number is shown in the display, use the
[VOICE]
button to
switch among the following ten voices.
Preset Voice List
[VOICE] button
Operation
NOTE
The voice numbers of selected
Voice 1 and Voice 2 will appear
alternately on the display when
Dual mode (page 29) is active.
Voice 1 and Voice 2 will appear
alternately on the display when
Dual mode (page 29) is active.
Voice
No.
Key
Voice Name
Description
1
C1
Grand Piano 1 Recorded samples from a full concert grand piano. Also
includes three levels of dynamic sampling, sustain sam-
ples, and key-off samples for exceptionally realistic
acoustic grand piano sound. Perfect for classical compo-
sitions as well as any other style that requires acoustic
piano.
ples, and key-off samples for exceptionally realistic
acoustic grand piano sound. Perfect for classical compo-
sitions as well as any other style that requires acoustic
piano.
2
C#1 Grand Piano 2 Spacious and clear piano with bright reverb. Good for
popular music.
3
D1
Piano &
Strings
Strings
A Dual voice combining grand piano and strings – perfect
for slow, orchestral piano music.
for slow, orchestral piano music.
4
D#1 E. Piano 1
An electronic piano sound created by FM synthesis.
Exceptional musical response with varying timbre accord-
ing to keyboard dynamics. Good for standard popular
music.
Exceptional musical response with varying timbre accord-
ing to keyboard dynamics. Good for standard popular
music.
5
E1
E. Piano 2
The sound of an electric piano using hammer-struck
metallic tines. Soft tone when played lightly, and an
aggressive tone when played hard.
metallic tines. Soft tone when played lightly, and an
aggressive tone when played hard.
6
F1
Church Organ
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
Good for sacred music from the Baroque period.
7
F#1
Jazz Organ
The sound of a tonewheel type electric organ. Often
heard in jazz and rock idioms.
heard in jazz and rock idioms.
8
G1
Strings
Stereo-sampled, large-scale strings ensemble with realis-
tic reverb. Try combining this voice with piano in the
DUAL.
tic reverb. Try combining this voice with piano in the
DUAL.
9
G#1 Harpsichord
The definitive instrument for baroque music. Since harpsi-
chord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
chord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
10
A1
Vibraphone
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
becomes more metallic the harder you play.
1
Voice number