Roland v-synth xt Manual Do Proprietário
167
Effects List
Appendices
06: Amp Simulator
(Guitar Amp Simulator)
This is an effect that simulates an guitar amp.
fig.MFX-06
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
inches) and the number of units.
Recommended combination of pre-amp and speaker
Parameter
Value
Description
NS Sw
OFF, ON
Turns the noise suppressor on/
off.
The noise suppressor leaves the
original sound unmodified, but
mutes only the noise during the
silent intervals.
off.
The noise suppressor leaves the
original sound unmodified, but
mutes only the noise during the
silent intervals.
NS Threshold
0–127
Adjusts the level at which the
noise suppressor will begin to
take effect.
noise suppressor will begin to
take effect.
* When the signal drops below
the specified level, it will be
muted.
muted.
NS Release
0–127
Sets the transition time from
when the noise suppression
starts to the point where the vol-
ume reaches 0.
when the noise suppression
starts to the point where the vol-
ume reaches 0.
Amp Type
JC-120, CLEAN
TWIN, MATCH
DRIVE, BG
LEAD,
MS1959I,
MS1959II,
MS1959I+II,
SLDN LEAD,
METAL 5150,
METAL LEAD,
OD-1, OD-2
TURBO, DIS-
TORTION,
FUZZ
TWIN, MATCH
DRIVE, BG
LEAD,
MS1959I,
MS1959II,
MS1959I+II,
SLDN LEAD,
METAL 5150,
METAL LEAD,
OD-1, OD-2
TURBO, DIS-
TORTION,
FUZZ
Type of guitar amp
JC-120: The sound of a Roland JC-120.
CLEAN TWIN: The sound of a standard built-in
type vacuum tube amp.
MATCH DRIVE: The sound of a recent vacuum
tube amp widely used in blues, rock, and fusion.
BG LEAD: The sound of a vacuum tube amp repre-
sentative of the late 70’s and the 80’s.
MS1959 I: The sound of the large vacuum tube amp
stack that was indispensable to the British hard
rock of the 70’s, with input I connected.
MS1959 II: The same amp as MS1959 I, but with in-
put II connected.
MS1959 I+II: The same amp as MS1959 I, but with
inputs I and II connected in parallel.
SLDN LEAD: The sound of a vacuum tube amp us-
able in a wide variety of styles.
METAL 5150: The sound of a large vacuum tube
amp suitable for heavy metal.
METAL LEAD: A metal lead sound with a distinc-
tive mid-range.
OD-1: The sound of the BOSS OD-1 compact effects
processor.
OD-2 TURBO: The sound of the BOSS OD-2 com-
pact effects processor with the Turbo switch on.
DISTORTION: Distortion sound.
FUZZ: Fuzz sound.
CLEAN TWIN: The sound of a standard built-in
type vacuum tube amp.
MATCH DRIVE: The sound of a recent vacuum
tube amp widely used in blues, rock, and fusion.
BG LEAD: The sound of a vacuum tube amp repre-
sentative of the late 70’s and the 80’s.
MS1959 I: The sound of the large vacuum tube amp
stack that was indispensable to the British hard
rock of the 70’s, with input I connected.
MS1959 II: The same amp as MS1959 I, but with in-
put II connected.
MS1959 I+II: The same amp as MS1959 I, but with
inputs I and II connected in parallel.
SLDN LEAD: The sound of a vacuum tube amp us-
able in a wide variety of styles.
METAL 5150: The sound of a large vacuum tube
amp suitable for heavy metal.
METAL LEAD: A metal lead sound with a distinc-
tive mid-range.
OD-1: The sound of the BOSS OD-1 compact effects
processor.
OD-2 TURBO: The sound of the BOSS OD-2 com-
pact effects processor with the Turbo switch on.
DISTORTION: Distortion sound.
FUZZ: Fuzz sound.
Amp
Simulator
Speaker
Simulator
L
R
Noise
Suppressor
Volume
0–127
Volume and degree of distortion
of the amp
of the amp
Bass
0–127
Tone of the bass/mid/treble
range
range
* Middle cannot be set if
MATCH DRIVE is selected
for the Amp Type.
for the Amp Type.
Middle
Treble
Treble
Presence
0–127
Tone for the ultra high frequen-
cy range
cy range
Master Volume 0–127
Volume of the entire amp
Brightness Sw
OFF, ON
Turning this On will produce a
sharper and brighter sound.
sharper and brighter sound.
* This parameter can be set if the
Amp Type is set to JC-120,
CLEAN TWIN, or BG LEAD.
CLEAN TWIN, or BG LEAD.
Gain Sw
LOW, MID,
HIGH
HIGH
Degree of amp distortion
Sp Sim Sw
OFF, ON
Turns the Speaker Simulator
on/off.
on/off.
Sp Type
(see below)
Type of speaker
Mic Setting
1–10
Adjusts the location of the mic
that is recording the sound of
the speaker.
Increasing this value will pro-
duce the effect of the mic being
further away from the center of
the speaker cone.
that is recording the sound of
the speaker.
Increasing this value will pro-
duce the effect of the mic being
further away from the center of
the speaker cone.
Mic Level
0–127
Volume of the microphone
Direct Level
0–127
Volume of the direct sound
Level
0–127
Output Level
Type
Cabinet
Speaker
Microphone
SMALL
small open-back en-
closure
closure
10
dynamic
MIDDLE
open back enclosure
12 x 1
dynamic
JC-120
open back enclosure
12 x 2
dynamic
BUILT IN 1
open back enclosure
12 x 2
dynamic
BUILT IN 2
open back enclosure
12 x 2
condenser
BUILT IN 3
open back enclosure
12 x 2
condenser
BUILT IN 4
open back enclosure
12 x 2
condenser
BUILT IN 5
open back enclosure
12 x 2
condenser
BG STACK 1
sealed enclosure
12 x 2
condenser
BG STACK 2
large sealed enclosure 12 x 2
condenser
MS STACK 1
large sealed enclosure 12 x 4
condenser
MS STACK 2
large sealed enclosure 12 x 4
condenser
METAL STACK large double stack
12 x 4
condenser
Amp type
Speaker type
BG LEAD
BG STACK 1, BG STACK 2, MIDDLE
MS1959 II
BG STACK 1–2, METAL STACK
MS1959 I+II
BG STACK 1–2, METAL STACK
SLDN LEAD
BG STACK 1–2, METAL STACK
METAL 5150
BG STACK 1–2, METAL STACK
METAL LEAD
BG STACK 1–2, METAL STACK
OD-2 TURBO
BUILT IN 1–4
DISTORTION
BUILT IN 1–4
FUZZ
BUILT IN 1–4
Parameter
Value
Description
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