Roland v-synth xt Manual Do Proprietário
169
Effects List
Appendices
09: Dynamic Processor
(Stereo Dynamic Processor)
A comp/limiter, enhancer, 3-band equalizer, and noise suppressor
are connected in series.
are connected in series.
Comp/Limiter is able to use as a compressor, which controls
inconsistencies in sound levels by suppressing high sound levels
while lifting weaker signals, or as a limiter that prevents the signal
from reaching exceedingly high levels.
inconsistencies in sound levels by suppressing high sound levels
while lifting weaker signals, or as a limiter that prevents the signal
from reaching exceedingly high levels.
Enhancer regulates the high-end overtones, clarifying the sound and
the sound contour.
the sound contour.
3-Band Equalizer works in three frequency ranges: Low, Mid, and
High. You can set the frequencies and boost or cut the level.
High. You can set the frequencies and boost or cut the level.
Noise Suppressor leaves the original sound unmodified, but mutes
only the noise during the silent intervals.
only the noise during the silent intervals.
fig.MFX-09
10: Tape Echo Simulator
This virtual tape echo gives you real tape delay sound. This
simulates the tape echo part of Roland’s RE-201 Space Echo.
simulates the tape echo part of Roland’s RE-201 Space Echo.
fig.MFX-10
Parameter
Value
Description
Comp Sw
OFF, ON
Turns the comp/limiter on/off.
Comp Thresh-
old #1
old #1
-60–0 dB
Sets the volume level at which
the compression begins.
the compression begins.
Comp Attack
0–127
Sets the time after the sound vol-
ume is crossed the compressor
threshold until compression be-
gins.
ume is crossed the compressor
threshold until compression be-
gins.
Comp Release
0–127
Specifies the time from when the
volume drops below the com-
pressor threshold until com-
pression is no longer applied.
volume drops below the com-
pressor threshold until com-
pression is no longer applied.
Comp Ratio
1.5:1, 2:1, 4:1,
100:1
100:1
Sets the “source sound:output
sound” compression ratio.
sound” compression ratio.
Comp Gain
-60– +12 dB
Output gain
Enhan Sw
OFF, ON
Turns the enhancer on/off.
Enhan Sens
0–127
Sensitivity of the enhancer
Enhan Frequen-
cy
cy
0–127
Sets the lower limit of the fre-
quencies to which the enhance-
ment effect is added.
quencies to which the enhance-
ment effect is added.
Enhan Mix Lev-
el
el
0–127
Level of the overtones generated
by the enhancer
by the enhancer
Enhan Level
0–127
Volume of the enhancer sound
EQ Low Freq
50–4000 Hz
Frequency of the low range
EQ Low Gain
-15– +15 dB
Gain of the low range
EQ Mid Freq
50–20000 Hz
Frequency of the middle range
EQ Mid Q
0.5, 0.7, 1.0, 2.0,
4.0, 8.0
4.0, 8.0
Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.
Set a higher value for Q to nar-
row the range to be affected.
EQ Mid Gain
-15– +15 dB
Gain of the middle range
EQ Hi Freq
2000–20000 Hz
Frequency of the high range
EQ Hi Gain
-15– +15 dB
Gain of the high range
NS Sw
OFF, ON
Turns the noise suppressor on/
off.
off.
NS Threshold
#2
#2
0–127
Adjusts the level at which the
noise suppressor will begin to
take effect.
noise suppressor will begin to
take effect.
* When the signal drops below the
specified level, it will be muted.
NS Release
0–127
Sets the transition time from
when the noise suppression
starts to the point where the vol-
ume reaches 0.
when the noise suppression
starts to the point where the vol-
ume reaches 0.
L
R
Comp/
Limiter
Limiter
3-Band
EQ
Noise
Suppressor
Enhancer
Parameter
Value
Description
Mode
S, M, L, S+M,
S+L, M+L,
S+M+L
S+L, M+L,
S+M+L
Sets the combination of play-
back heads to be used.
The RE-201 had three playback
heads to make different delay
times (Short, Medium, and Long
delay) at once. For example, to
use the short and middle heads,
select S+M.
back heads to be used.
The RE-201 had three playback
heads to make different delay
times (Short, Medium, and Long
delay) at once. For example, to
use the short and middle heads,
select S+M.
Repeat Rate #1
0–127
Sets the tape speed.
This corresponds to the delay
time in a contemporary delay ef-
fect.
This corresponds to the delay
time in a contemporary delay ef-
fect.
Intensity #2
0–127
Sets the repeat times of the de-
layed sound.
This is analogous to a contempo-
rary delay’s feedback setting.
layed sound.
This is analogous to a contempo-
rary delay’s feedback setting.
Bass
-100– +100
These are the echo sound’s bass
and treble adjustments.
When set to 0, they make no
change to the sound.
and treble adjustments.
When set to 0, they make no
change to the sound.
Treble
Head S Pan
L63–63R
These are the pan (left-right) set-
tings for each of the heads for
Short, Medium, and Long delay
time.
tings for each of the heads for
Short, Medium, and Long delay
time.
* This parameter does not
appear on the original RE-201.
Head M Pan
Head L Pan
Head L Pan
Tape Distortion 0–5
Adds the distortion characteris-
tic of tape.
The distortion gets more intense
as the value is increased.
tic of tape.
The distortion gets more intense
as the value is increased.
W/F Rate
0–127
Frequency of the wow and flut-
ter modulation
The wavering of multiple pitch-
es that appears from tape wear
and irregularities in rotation is
called wow and flutter.
ter modulation
The wavering of multiple pitch-
es that appears from tape wear
and irregularities in rotation is
called wow and flutter.
W/F Depth
0–127
Modulation depth of the wow
and flutter
and flutter
Echo Level
0–127
Volume of the echo sound.
L
R
Tape Echo
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