Manual Do Utilizadoríndice analíticoFeatures6Before Turning On the Mixer6Mixer Basics5Quick Guide7Getting Sound to the Speakers7Adding Some Reverb10Using the Compressors to Enhance Vocals11Making the Most of Your Mixer12A Place for Everything and Everything in its Place12A Plethora of Connectors—What Goes Where?12Balanced, Unbalanced—What’s the Difference?13How Do Balanced Lines Reject Noise?13A balanced cable has three conductors:14Signal Levels and the Decibel14Making Better Mixes15Approaching the Mix—Where Do You Start?15To EQ or Not to EQ16Ambience17The Modulation Effects: Phasing, Chorus, and Flanging17Compression18Reference5Front & Rear Panels19Controls on Each Channel19Digital Effects Section22Master Section24Rear Panel27Speaker Connections282-channel connection282-channel parallel connection28Rack Mounting29Setup30Troubleshooting31Specifications32Tamanho: 5 MBPáginas: 37Language: EnglishAbrir o manual
Manual Do Utilizadoríndice analíticoFeatures6Before Turning On the Mixer6Mixer Basics5Quick Guide7Getting Sound to the Speakers7Adding Some Reverb10Using the Compressors to Enhance Vocals11Making the Most of Your Mixer12A Place for Everything and Everything in its Place12A Plethora of Connectors—What Goes Where?12Balanced, Unbalanced—What’s the Difference?13How Do Balanced Lines Reject Noise?13A balanced cable has three conductors:14Signal Levels and the Decibel14Making Better Mixes15Approaching the Mix—Where Do You Start?15To EQ or Not to EQ16Ambience17The Modulation Effects: Phasing, Chorus, and Flanging17Compression18Reference5Front & Rear Panels19Controls on Each Channel19Digital Effects Section22Master Section24Rear Panel27Speaker Connections282-channel connection282-channel parallel connection28Rack Mounting29Setup30Troubleshooting31Specifications32Tamanho: 5 MBPáginas: 37Language: EnglishAbrir o manual
